We lobbed a ball above a rim we could not reach.Reached as though our feetcould find a rhythm rightwith summer haze and black top, bodiesyet to stretch. Afternoons,our daddies smoldered pipes on porchesplaying cards, and stacked unemployment checks.We dared not interrupt their count.Dared not take a moment’s glancefrom men who mangled skin with brassand bragged on corners filled with swagger,swooping low to sweet ladies.The things we did when no one watchedwas worrisome: acid, shrooms, pop of bottles, bongs,girls in jean skirts swaying hipslike nets in violet rain.We learned to pass how to dribble howto leap despite our average liftand lilt like something holy wholly terrified,shot clock clicking away. Years later, when the citycleared the court we knew as boysand the school no longer draped our namesour trophy trapped in glass, I watched an old friendweave through traffic, stutter my name with surprise.On his cheek a mark, one eye gone,a limp and struggle for air.He asked for a hit. Askedif I’d ever been in love.Wondered about my life my sonsif I’d lost or been slowly losing.By which he meant light,the lightness of air: the lob and lift and score.The swelling crowd.The flicker first before the bellblaring into the night.
The Boys of Cass and Pacific
—For Harmon
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“The Boys of Cass and Pacific” from Quiver by Luke Johnson.
Published by Texas Review Press on October 10, 2023.
Copyright © 2023 by Luke Johnson.
All rights reserved.
Reproduced by Poetry Daily with permission.
Luke Johnson is the author of Quiver (Texas Review Press), a finalist for the Jake Adam York Award, The Vassar Miller Prize, and The Levis Award; A Slow Indwelling (Harbor Editions); and Distributary (Texas Review Press 2025). Quiver was named one of four finalists for the 2024 California Book Award. Johnson was selected by Patricia Smith as a finalist for the 2024 Robert Frost Residency through Dartmouth College. You can find more of his work at Kenyon Review, Prairie Schooner, Narrative, Poetry Northwest and elsewhere.
Huntsville, Texas
Sam Houston State University
“In Quiver—which, implausibly, is his first full volume—Luke Johnson cements his title as the uncontested master of shadow. These unnerving poems are the rustle in a vast and unrelenting dark, they are both salve and injury to the body, they are numbing slap and uneasy solace. The poet trains your eyes upon things you never wished to see—and holds you there, with chilling narrative and fierce lyric, until terror gives way to beauty. Am I saying...? Yes, that’s exactly what I’m saying—Quiver will change the way you see.”
—Patricia Smith
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