After lust comes meditationAfter love, hallucinationNot all of us seek the same thingWhen we kneel here, & “that has to beOkay”Like when I fisted X at the mini golfCourse at Mount Sodom campgroundWhich he chose, of course, for its nameThings had already gone bad between usBut we built a fire & talked for hoursSmoking so many cigarettes because we were talkingOf spirits & then we fucked in my car & both passedOut with our pants around our legs like closeted menIn another era. When we woke up & saw what we had doneI freaked out. I can’t live like this, I panted, pulling my jeans back upFrom my boots. It was fun—tainted by a whiff of real deathWhat was bad between us had turned leftwardBurrowed deep into a secret place where love livedDespite the many lies we were telling each other& ourselves on that day alone we had reachedA different kind of honesty.It would withstand mutual betrayal.Fury is very lustfulA body concealing its heart’s desireHas a certain textureA tang or an edge if you willThat the openhearted cannot match& when exactly does the deceitfulHeart open? At climax.
The Hanged Man
The whole idea of sacrifice is a misconception of nature.
—ALEISTER CROWLEY
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“The Hanged Man” from The Rose. Copyright © 2025 by Ariana Reines. Reprinted with permission of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org.
Ariana Reines is a poet and playwright. Her newest books are The Rose (Graywolf: 2025) and Wave of Blood (Divided: 2024). A Sand Book (Tin House: 2019) won the Kingsley Tufts Prize and was longlisted for the National Book Award. She has created performances for The Solomon Guggenheim Museum, Stuart Shave Modern Art, Swiss Institute, The Whitney Museum of American Art, Performance Space New York, and many others, and she wrote the Obie-winning play TELEPHONE. In 2020, as a Divinity student at Harvard, she founded Invisible College, where people gather to study poetry, sacred texts, and the arts.
In The Rose, award-winning poet Ariana Reines navigates the intersection of power and surrender. Drawing on the history of “romance” as the troubadours knew it and the titular flower’s ancient allegories for sexuality and mystery, Reines plunges into feminine archetypes to explore masculine pain.
“Thrilling and harrowing, The Rose explores the contours of something essential, diving deep into pain and complexity and describing them in the most factual way. . . . Focused, intense The Rose offers a trail that leads, if not to madness, to something that goes beyond rational sense. It’s a great book.”
—Chris Kraus
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