You called it a surgical abscissionwhen I left, our years togethersliced away with a sharp blade,almost brutally quick & clean.But for me it was more like drowningthe chipmunk in the shiny tin pailof this October morning, the rainsuspended like a sheer curtainbetween me & the sun. When I sawthe small, soft nose poking out, then in,then out of the black plastic tunnelhiding the spring trap, I wantedto go back inside the warm cabin.I wanted to go back in time, beforefinding the trap, before it was set.I wanted to let nature & her wolvestake their hungry course, & live onin ignorance or hope a severed spinemight somehow heal on its own.Above all, I wanted someone elseto decide. But, something aboutVirginia Woolf & the stonesshe put in her pockets before wadingout into the Ouse & this creatureright here, where I had to look,unable to move & in pain. The sunshimmered the rain into gauze,hung as if for extreme unction.I could not not-see it then, whathad to be done & be done by me,alone. I had all I needed: the pail,& the pump to fill it with water.The stone was for mercy.
The Stone
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Copyright © 2024 by Rebecca Foust.
All rights reserved.
Reproduced by Poetry Daily with permission.
Rebecca Foust’s eight books include YOU ARE LEAVING THE AMERICAN SECTOR: Love Poems (Backbone Press 2024), inspired by the parallels between George Orwell’s 1984 and current American politics, and ONLY (Four Way Books 2024), recipient of a Publisher’s Weekly starred review. Her poems won the James Dickey Prize and the Fischer Cantor Prize in 2024, and the New Ohio Review, Pablo Neruda, James Hearst, and Poetry International prizes in recent years. Other recognitions include fellowships from The Frost Place, Hedgebrook, MacDowell, and Sewanee, and a Marin County Poet Laureateship where Rebecca’s program, “Poetry as Sanctuary,” featured readings by local immigrant poets. More info at www.rebeccafoust.com.
Fall 2024
Baton Rouge, Louisiana
Louisiana State University
Co-Editor & Poetry Editor
Jessica Faust
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