Yes they chased me Yes it was spring It was spring It was spring It was spring all day and nightAll the trees leaning into light their fuzzy buds and calyxes The grass greener than whatever’s greenestThe daffodils yellow and yellow and yellow and creamThis telling will be different I swear from when I was eighteen and described the perfect springiness of the grassunder my high-tops Fuck the lyric mountains and the air I had just turned ten We were playing capture the flagwhen the boys in my class and their older brothers turned In the mock Olympic Games I’d won javelin shot put and wrestling Came second in long jump but thatdidn’t matter now they chased me I fled past the echoing concrete of the pavilion past barrel trash cans fizzing with flies past the short field over the edge of Ragged Mountain That’s the real name of it I say the real names of things when I know them Maybe somebody said a name thenMaybe to Ethan lithe as a deer Ethan my friend who’d given me a folding knife for my birthday smiling quietlyor otherwise their blood moved them like magnets like swallows or certain bugs that hang together like nets fly like they’re woven together Maybe someone said dyke or goytheir names for me A boy who had just started shaving gave a whistle gestured with his arm My body pressed againstthe mountain’s steepness They are so high above me I can see the soles of their shoes when they lift them up to kick dirt and leaves in my face zigzag swoosh honeycombhead of a fanged roaring wildcat They stone me stone stone stonestonestone When I wrote of this before I focused on the rocks gave their scientific names suggested I was becoming one Naming things feels good cataloguing has great colonial power and so distracting A way of looking awayThey threw and threw All the roly-polys from under the rocks revealed and scurryingNo one came No one stopped them They stopped maybe because they got bored At first they got farther away as they threw Someone heel-dragged a line in the grass and they stoodbehind it Humans in a field Men in the man-made ground keeping at bay below the tree line’s dark danglingedge something else Something not made like them or unmade abject and profane I heard a sound from my body like a growl heat poured off my head I felt mypersonness evaporating as the boys laughed upright in the mown field I bellied up with millipedes snailslast year’s leaves rotting and skeletal The body lost human speech then But somewhere someone was writing I know that now at a desk in a cool roomshining haired You can’t see them now you in the bloody torn jeans covered with mountain-stuff but you will They areexplaining it That these boys Ethan Noah Shawn big blonde Jeff who once picked you up and stuffed your whole body in a trash barrelin a week’s worth of discarded lunches maggots broken glass and who claimed to have seen a moviecalled Carnal Knowledge but wouldn’t describe it They are explaining it all in a book They are saying you are a person who came firstnot a copy They are saying these boys are fictions stoning other fictions These are the punishmentsthat attend These are ghosts throwing at nothing
Theory
Gender is, thus, a construction that regularly conceals its genesis;the tacit collective agreement to perform, produce, and sustaindiscrete and polar genders as cultural fictions is obscured by thecredibility of those productions—and thepunishments that attend not agreeing to believe in them.—Judith Butler, Gender Trouble
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“Theory” from IMPOSSIBLE THINGS: by Miller Oberman.
Published by Duke University Press on October 22, 2024.
Copyright © Duke University Press, 2024.
First published in Poetry in 2023.
All rights reserved.
Reproduced by Poetry Daily with permission.
Beowulf Sheehan
Miller Oberman is the author of The Unstill Ones (Princeton UP, 2017) and Impossible Things (Duke UP, 2024). His poems have appeared in The New Yorker, Poetry, The Nation, The London Review of Books, Foglifter, and elsewhere. Miller teaches writing at Eugene Lang College, Sarah Lawrence College, and Brooklyn Poets. He is a trans antizionist Jewish poet committed to the liberation of all.
"Impossible Things is, at its heart, a book-length elegy—it endeavors to speak with the dead so that the writer might go on living. To do so, Miller Oberman enacts a trans poetics that insists that an adequate description of everyday life requires admitting what is spectral, impossible, and not (yet) properly named. Anyway, I love these poems. They are tender and funny and charmingly neurotic. They are hurt and hurting, but not moralizing. They surface and bear contraction. They make me, somehow, alive."
—Cameron Awkward-Rich, author of The Terrible We: Thinking with Trans Maladjustment
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