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Brian Teare

Today's Poem by Brian Teare

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Brian Teare

A 2020 Guggenheim Fellow, Brian Teare is the author of eight chapbooks and seven critically acclaimed books, including Companion Grasses, a finalist for the Kingsley Tufts Award, and Doomstead Days, winner of the Four Quartets Prize and a finalist for the National Book Critics Circle, Kingsley Tufts, and Lambda Literary Awards. His most recent publications are a diptych of book-length ekphrastic projects exploring queer abstraction, chronic illness, and collage: the 2022 Nightboat reissue of The Empty Form Goes All the Way to Heaven, and the fall 2023 publication of Poem Bitten by a Man. His honors include Lambda Literary and Publishing Triangle Awards, and fellowships from the NEA, the Pew Foundation, the American Antiquarian Society, the Headlands Center for the Arts, the Vermont Studio Center, and the MacDowell Colony. After over a decade of teaching and writing in the San Francisco Bay Area, and eight years in Philadelphia, he’s now an Associate Professor of Poetry at the University of Virginia. An editorial board member of Poetry Daily, he lives in Charlottesville, where he makes books by hand for his micropress, Albion Books.

Cover of Poem Bitten by a Man by Brian Teare

“I’m always moved (and changed) by Brian Teare. It’s already a part of my mind what he makes and says this rich stark work affects me so deeply. Here to read means avidly copying into my notebook from his because what it is, this book, is heart and pain and the loosened materiality of all of it, the bodily records of his life and art and him copying thoughtfully from Jasper Johns and Agnes Martin everyone all pouring our secret public thoughts into so many cups, it’s dark & luminous reading this potion.”
—Eileen Myles

“For all the anguish that Brian Teare’s assemblage brings into focus, Poem Bitten by a Man evinces a surprisingly classical serenity and equipoise, its varied elements (art criticism, biography, autobiography, poetry, political analysis) splayed around a composed core, an authorial eye and ear that know the exact dosage that the music requires. I admire the mental legerdemain of this book’s performance of care and distress, and I feel, with the intimacy of a linguistic caress, the gestures it makes toward imagining poetry’s future possibilities.”
—Wayne Koestenbaum

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