Macleay Road and Druid Ridge Cemetery

Danika Paige Myers

it’s two thousand ninemy new husband’slast name officiallyappended to mineon the marriagecertificatemy grandmothermet himdidn’t liveto see me wed himBlessings Storms GoldLamp Hood Lordas we drive out of stateinstead of stoppingat Willamette NationalCemetery wherethe fresh gravemarker reads VirgilElizabeth Myers we makea pilgrimageher house is for salebut not yet soldin the back yardwe pick allthe raspberriesleft on the canesit’s Juneour vows are newgreen pint boxesin the coolerberries like jewelsBland GrubFair Herbat every dustygas station andnational parkparking lot I sneakthe cooleropen placeone or twoon my tonguesquash themIf I tried to speakI would cry they areso cold and sweetRobin HobbSheckells GillBerry Lodgeit’s twenty twenty-oneand cicadas dry new wingsin the sun simply tothe cross I cling goesa stone saintwith a cicada clingingbetween her toesthe smell of cicada meatrotting insidea million carapacescrunching under our feetthe dog’s tongue lollingfrom gobblingup the deadSwan FoxLocke Cogsome of the nameson the graves are wordsand some seem like wordsbecause they makesounds you’veheard sketchthe skeletonof our neighborhoodBuckingham ForbesHopkins Hawthornethere’s Ralston there’sPurvis elbowing into Waldronthe granite graves turnsilver in the shade;shade the pale greyof granite drapesfrom Midvale to PinebraeSmiths give way to Sladeswe brush away cicadasto make a purple crayonrubbing of the gravethat says NOT DEADBUT SLEEPINGMarsh StokeHeath Pole Coke

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Color headshot of a smiling Danika Paige Myers

Danika Paige Myers is the author of the poetry collection Her Names, Her Wits, forthcoming from Finishing Line Press (2026). Her work is forthcoming or has appeared in journals including Nelle, Fairy Tale Review, Beloit Poetry Journal, and Harlot: a journal of the arts of persuasion. She earned an MFA in creative writing from George Mason University and teaches writing at The George Washington University in Washington, DC.

In this debut collection Danika Paige Myers explores quiet intersections of the tangible and the ephemeral—from patchwork quilts and grave markers to ghosts and myth. In poems born from her young daughter’s fascination with death she maps visits to parks and cemeteries, coastal cliffs and hiking trails, in Maryland and in Oregon. This is a book about what cemeteries are for, what names mean, and the “backwards magic” of memory.

“Myers stitches a portrait of family animated by her young daughter’s fascination with cemeteries—places to play with interesting names. In gorgeous lyric moments, Myers renders these plots of land as patches of earth that—like patches on clothing, like families—attempt to hold the evanescent lives of humans, an endeavor that is at once “the substance of a life” and must fail: “things that wear / away laid over things / that wear away.” A chorus of names from gravestones threads through this work, evoking in song the mystery of what it means to be a self, to be called something on earth.”
–Allison Cobb, author of Green-Wood and Plastic: an Autobiography

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