so they look less like tombstones.So the riverbeds—dry now,just paths for deer to walk—seem less like ghosts.In our pockets: all the insults we carry,insults we place on the flat slab under the falls,or what used to be the falls when snow still felland March became a watersong of melting.For instance, keysto whatever dispossessions.Or the envelope declaring, “Final Notice,”those red wordsfading in the sun now,held in place with stones.A lapel pin—meaningless—“To commemorate 25 years of service.”And a necklace improvised from fishing line,sim cards, and rings…we leave our relics here,and coins the crows might find a reason for,and maybe the weightfeels lighter now,maybe there’s roomfor the wind to fit somewhere.It used to usher clouds overhead,and sometimes a few of them would open.First, birds arriving and lining up on branches.Then the rain.
We Paint the Rocks Blue
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- January 4, 2025
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“We Paint the Rocks Blue” from The Book of Drought by Rob Carney.
Published by Texas Review Press on September 1, 2024.
Copyright © 2024 by Rob Carney.
All rights reserved.
Reproduced by Poetry Daily with permission.
Rob Carney is the author of Accidental Gardens (creative non-fiction) and nine books of poems, most recently The Book of Drought (Texas Review Press 2024), which won the XJ Kennedy Prize for Poetry and received a Kirkus starred review. He has received the Milton Kessler Memorial Prize, the Robinson Jeffers/Tor House Foundation Award, and he has written a featured series called “Old Roads, New Stories” for the award-winning journal Terrain.org for the last nine years. Favorite drink: coffee. Favorite animal: the Great White. He is a Professor of English at Utah Valley University and lives in Salt Lake City.
In The Book of Drought, Rob Carney skips ahead to the ending, setting his unnamed Listen-Recorder in a near-future landscape newly wrecked by drought. Instead of water: dead lakebeds. Instead of wild animals: bones. The sky is now cloudless, and the city’s faucets are dry. No one has adjusted yet, but some gather in an empty river to grieve, remember, and to tell their stories, the stories that become this book. Part dystopian warning, part dry-humor protest, part mythology and song—get ready for some sad-mad beauty, but with open-eyed hope.
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