[Writing a poem,]

Vinod Kumar Shukla
Translated from the Hindi by Arvind Krishna Mehrotra

Writing a poem,worldly matters occupy me.If I’m writingand there’s a knock on the door,I go open itwhen I hear the sound.It’s true that someone’s there,even if it is to look for an address,and since my house looked approachableknocked on the door.It’s also true that the alertnessthat made me open the dooris the same that alerts me to a poem.The address I’m shownturns out to be mine.                                                                              (2008)

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Vinod Kumar Shukla was born in Rajnandgaon, in central India, in 1937. For most of his working life he taught at Indira Gandhi Agricultural University, Raipur. His first publication, in 1971, was a poetry chapbook Lagbhag Jaihind (Hail India, Almost). He has since published more than a dozen books that include both poetry and fiction. Among his many awards is the Sahitya Akademi Award and the 2023 PEN/Nabokov Award for Achievement in International Literature. His writing has been described by Amit Chaudhuri as “a compelling combination of strangeness, acute observation, love of life, unexpected thinking, and an air of normality that adds to the strangeness.”

Arvind Krishna Mehrotra lives in Dehra Dun, in the foothills of the Himalayas. He is the author of seven­ previous books of poetry and two collections of essays. He is also the translator of The Absent Traveller: Prakrit Love Poetry (Penguin Classics, 2008), Songs of Kabir (NYRB Classics, 2011), and, with Sara Rai, of Vinod Kumar Shukla’s stories Blue Is Like Blue (HarperCollins India, 2019). His new collection of poems is Book of Rahim (Shearsman Books, 2022).

Infiltrator or inhabitant? In Treasurer of Piggy Banks, Indian poet Vinod Kumar Shukla sees the world through both lenses at once. All details are local yet canonical, and when inside his lyric mind, we are rooted, and the roots are spreading far and wide. Shukla’s ability to see things through their opposite illuminates what is hardest to comprehend with aphoristic yet surreal clarity, from environmental collapse to the way our own deaths are snug inside our lives.

These poems are translated from Hindi with deft humor and acrobatic muscle by poet and essayist Arvind Krishna Mehrotra, who writes in his introduction that Shukla’s lines are so unique to him, “you could put them on a check, and it will be honored at any literary bank.” You can’t hoard or even spend the wealth of the lines in this collection, but the shiny, slippery, and threatened value of the world accrues through them.

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