I Wake up in the Underworld of My Own Dirty Purse

Karyna McGlynn

My stage name is Persephone.I perform nightly for a smatteringof ill-informed Tic Tacs.Now that I’m finally tiny,I only have two fears:that someone will leavemy Whole World in the sununattended & gravity’s strapmight one day strain & break.Down here, no one desires me,but there are relatively few decisions:what flavor gum to huff,how many grains of granola.I spend my time rolling aroundwith lipsticks: matte nudes& cabernet mistakes that lookedbetter on the models. I bindmy thighs with dental floss,finally learn the aerial arts.There are bobby pins.I have to watch myself. I becomebegummed, magnetized.Things stick. Sometimes I can’tshake them. For a whole weekI was Working Shit Outwith a broken necklace that had meensnared by the hair.In my dark bordello,Bic lighters are bargesout in deep water. I tastethe tang of their flint sharpening,receding, hear the cargosloshing, the boatswain’s callat the far edge of my sanity.Sometimes keys wash up to me—all faint numbers & silver teeth.I no longer know what they open.More than once, I’ve consideredsetting the place on fire.So easy. Plenty to kindle:petrified pretzel logs, illegible receipts,& sometimes, incredibly, a tamponescaped from its casing—stringlike a fuse on a soft stick of dynamite.On hot nights, I unscrew my purseperfume & move my naked bodylike a question across the coolroller-ball. She is a Silent Oraclewho only answers in spirits& fumes: pomegranate, lilyof the valley, amber, wet fern,African violet. I have eternityto translate this Olfactory Codeinto a working escape plan.For lack of space: Please Help.This is what I’ve been reduced to.I hope someone Up There is lookingfor me. I hope my Mother isburning the goddamn crops.

Feature Date

Series

Selected By

Share This Poem

Print This Poem

Color headshot of a smiling Karyna McGlynn

Karyna McGlynn is the author of three poetry collections from Sarabande Books, including 50 Things Kate Bush Taught Me About the Multiverse (2023 Lambda Literary finalist), Hothouse (New York Times Editor’s Choice), and I Have to Go Back to 1994 and Kill a Girl (Kathryn A. Morton Prize in Poetry). Their writing has recently appeared in Poetry, Missouri Review, Ninth Letter, New England Review, and Kenyon Review. She directs the Creative Writing Program at Interlochen Center for the Arts, and was the 23-24 Visiting Distinguished Professor of Poetry in the Helen Zell Writers’ Program at the University of Michigan. Current projects include The Rules of Witch Stick, a poetry collection co-authored with Fez Avery, and a spoken word album, Red Dress / White Dress, with their band, Acting Classes.

"Karyna McGlynn’s poems have an addictive quality....They smack me into delirium, and again into delirium’s comedown. When they smack me into delirium’s hangover, accompanied by the silence that echoes after each heart-stopping ending, I am too greedy not to turn the page for another fix. 'That’s the best part: it continues,' McGlynn writes."
The Adroit Journal

“The poems in Karyna McGlynn’s 50 Things Kate Bush Taught Me About the Multiverse are like those spectacular mixed cocktails that carry our troubles away: they are spiked with the oddest ingredients and supremely intoxicating. I love their daring, their deep-diving humor. McGlynn’s poems remind us poetry can be fun. But only in the most devastating way.”
—Cate Marvin, author of Oracle and Event Horizon

Poetry Daily Depends on You

With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.