The Tribute

Jameson Fitzpatrick

I was thinking of a daughter, therein the crush of a summerwhat can save her from. You know the one:that thick season from which she’ll feel everythingthat follows, follows. She isn’t wrongto get in the car with the older boy;in a sense she must,because she wants to. Headlong dive into the backseat.Headstrong is the wordher father uses before disappearingback to his office. For him, the one suffices.Not me: voluble as our girl, as I ever wasthough I have made a study of restraint,and practiced plenty,posed at the closed piano when no one’s home.Some nights when she’s returned to me, I for a secondthink: Changeling!Of course it’s her; it’s only thatas her resemblance to me—to a versionI can remember and recognize as self—grows,it gets harder to see hergrow, at once, ever more distinct from me.Further and clearer.Even as she repeats my errors:the selection of boy, my old white jacket with the fringe.And wears her seatbeltalways, because her mother made her.It’s not for her I wait up.In fact, she never comes.Still someone has to fill the loud freedomthat someone who must have been memust have chosen.

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Sienna Geddes

Jameson Fitzpatrick is the author of Pricks in the Tapestry (Birds, LLC, 2020). The recipient of fellowships from the National Endowment for the Arts and the New York State Council on the Arts/New York Foundation for the Arts, she teaches first-year writing at New York University.

February 10, 2025

New York, New York

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The New Yorker is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the cultural life of New York City, The New Yorker has a wide audience outside New York and is read internationally.

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