from the time we were talkingto stoneswe took on theirmeaning their time and nowtheir memory is in us itwalks in our footsteps it movesin our warmth we nolonger distinguishbetween what they say and usthe time of the stones is us andwe are full of cries that weleave in our wake likestonesholding on to each otherto find among them ourpath [nous du temps que nous parlions]nous du temps que nous parlionsaux pierresnous avons pris leursens leur temps et maintenantleur mémoire est en nous ellemarche dans nos pas elle bougedans notre chaleur nous nefaisons plus la différenceentre ce qu’elles disent et nousle temps des pierres c’est nous etnous sommes pleins de cris que nouslaissons sur nos passages commedes pierresen nous tenant l’un à l’autrepour trouver parmi elles notrechemin
[from the time we were talking]
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Copyright © 2025 by Henri Meschonnic.
English Copyright © 2025 by Gabriella Bedetti and Don Boes.
All rights reserved.
Reproduced by Poetry Daily with permission.
Henri Meschonnic (1932–2009) was a French poet, translator, linguist, and theorist of language whose work reshaped modern poetics and translation studies. Best known worldwide for his translations of the Old Testament and his landmark 710-page Critique du rythme: Anthropologie historique du langage, he argued for the primacy of rhythm, prosody, and relational energy over lexical equivalence in translation. His approach challenged the separation of form and meaning, influencing writers, translators, and scholars across disciplines. Meschonnic authored nineteen volumes of poetry, where the personal and historical, the intimate and political, intertwine. His translations of the Hebrew Bible into French sought to recover its oral, performative qualities. Widely recognized for his achievements, he won the Max Jacob International Poetry Prize, the Mallarmé Prize, the Jean Arp Francophone Literature Prize, and the Guillevic–Ville de Saint-Malo Grand Prize for Poetry. His legacy endures as a radical rethinking of the ethics and possibilities of language.
Gabriella Bedetti is a translator, literary scholar, and professor of English at Eastern Kentucky University. She holds a Ph.D. in Comparative Literature from the University of Iowa and has worked on the writing of Henri Meschonnic since the 1970s. After introducing him at the 1988 MLA Convention and working with him on translations of his prose, her translations, essay, and interview appeared in New Literary History, Critical Inquiry, and Diacritics. Along with being engaged with Meschonnic’s writing for the last half-century, she has been examining the work of his French and American contemporaries and the historical context, political currents and artistic influences that flowed into and out of his work. Thanks to her collaboration with the author, Régine Blaig, Meschonnic’s widow, has granted permission to include a remembrance in The Butterfly Tree: Selected Poems of Henri Meschonnic. With Don Boes, she published a recent essay on Meschonnic’s poetry in The Collidescope.
Don Boes received an M.F.A. from Indiana University in 1985, in Creative Writing and a B.A. (With Distinction) from Centre College in 1980, in English, Phi Beta Kappa. A three-time recipient of a Kentucky Arts Council Al Smith Individual Artist Fellowship, he served on the poetry staff at Indiana Review and has been a resident at the Ragdale Foundation and the MacDowell Colony. He is the author of Good Luck With That, Railroad Crossing, and The Eighth Continent, selected by A. R. Ammons for the Samuel French Morse Poetry Prize. His poems have appeared in The Louisville Review, Painted Bride Quarterly, Prairie Schooner, CutBank, Zone 3, Southern Indiana Review, and The Cincinnati Review. His co-translations appear in Asymptote, Puerto del Sol, RHINO, The Southern Review, World Literature Today, and elsewhere.
Winter 2025
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