Give Us Your Pronouns

Stacey Waite

They say,give usyour pronouns.So proudof themselvesfor asking.Give us yourpro nouns.Tell us howyou would like usto refer to you,your pronounsyour for nounsfor peoplefor placesfor thingsthe proper nounfor you isyour pronounwhich you shouldgive to us. Giveus yourpronouns. Pleasehelp usrefer to youcorrectly.We don’twant to makeany mistakeswith your pronounswhich are yoursand you have them sogive us your pronounsgive usthis dayour dailybreadgive us timegive usa bloodhoundwith no senseof smell.Your pronounsyour caninelostin the woods.

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Black-and-white headshot of Stacey Waite

Stacey Waite is the Susan J. Rosowski Associate Professor of English at the University of Nebraska—Lincoln and is the author of five collections of poetry: Choke (winner of the Frank O’Hara Prize for Poetry), Love Poem to Androgyny, the lake has no saint (Winner of the Snowbound Prize for Poetry), Butch Geography (2013), and A Real Man Would Have A Gun (University of New Mexico Press, 2025). Waite is also the author of Teaching Queer: Radical Possibilities for Writing and Knowing (University of Pittsburgh Press, 2017). Working in both creative writing and composition studies, Waite is also co-editor of Inventing the Discipline: Student Work in Composition Studies and the textbook, Ways of Reading. Waite’s poetry and essays have appeared in such journals as Writing on the Edge, Assay, New Territory, Literacy in Composition Studies, and Black Warrior Review. Waite’s poems have been anthologized in a range of collections including Best American Poetry andThe Norton Introduction to Literature.Visit Waite’s website at www.staceywaite.com.

A Real Man Would Have a Gun
University of New Mexico Press

Albuquerque, New Mexico

University of New Mexico

Stacey Waite’s newest collection of poems interrogates gender, sexuality, and parenthood. From a genderqueer perspective, the poems set their unflinching gaze on the habits and impacts of masculinity. Poignant, angry, heartfelt, and at times funny, this collection asks us, again and again: What kind of world do we make with gender?

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