Elegy

Dan Beachy-Quick

—for Alesia Tyree

Autumn’s first frost recalls the eon-ache of an endless June,the ceremony hidden in the teacup of the letter u, warmingthe hand that holds it, & lowercase n reminding usthe ceremony ends, teacup rinsed, washed, left to dryupside down on a dishtowel, un- the quiet prefix in the air,unsettling the wary dog who cocks her ear at a footstep,unable to fall asleep beside her who sleeps in the rocking chair.Outside the first flowers that bloom had bloomed—the crocus comes to mind, but the plans are for other flowersmore resplendent in the eye, a bird-of-paradise, a bird-of-paradise. . . & it’s so often the case, then as now, that a shadowdarting across the sidewalk or the neighbor’s grass is whatcompels you to look up, an instinct not a choice, mouth agapewith some word about to be said, but it stays unsaid, unsaid,as the rock doves winging circles round the bell towerfly suddenly away into other hours, hours no longer ours,& the cardinal in the crabapple sings out its bright notes, countingas a child counts her fingers, one to ten & back again, almost forever. 

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Black and white headshot of Dan Beachy-Quick

Dan Beachy-Quick is a poet, essayist, and translator whose most recent book, Elements & Offerings, is now out from LSU Press. His work has been supported by the Monfort, Lannan, and Guggenheim Foundations. He teaches at Colorado State University, where he is a University Distinguished Teaching Scholar.

The poet Paul Celan noted that, in his view of language, thinking and thanking are cognate, innately connected in their roots and connotations. Elements & Offerings, a new collection of poems by Dan Beachy-Quick, is a book-length poetic investigation of that hope—that to think is to learn to thank; that to thank is to learn to think. The first two sections seek a way to work toward poetic origins, taking inspiration from the alphabet, first philosophy, grammar, and prophecy; the last section offers poems composed over many years, simple gifts of gratitude to teachers and friends.

“In Elements & Offerings, it’s as if language had suddenly woken up to its own existence and found itself astonished to be—to be composed simultaneously of thinking and of singing. Beachy-Quick, one of the great philosophical lyric makers of our age, draws from the deeply ancient in an idiom that is at the same time thrillingly new.”
—Bruce Beasley

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