because she taught me butter, saute all of the butter add all of the sugar stir in all of the heavy creamlick the bowl, spatula, whisk, fingers cleanour home was all doughy sprinkled and whip creamed until I turned fourteen and thenI was “only eat a third of your plate,” and “excuse yourself if you ate too much, brush your teeth after.”and I was all tears, confectioned and confused taught to savor now a mouth full of acrid astringent and acid more mouthwash than marmalade biscuits, sweet tea and she was all “you don’twant to be two pounds of sausage in a one pound casing,” when I was just gumbo and red beans and rice kolaches with cheese and she always told me to develop flavor and that whenI grow up I’ll be more particular so I did, I’m elbow deep in love, because she swore you could taste it and my teeth are rotting from practicing her banana pudding, coconut cream queen anne’ s lace double chocolate notkneeling over porcelain, knees to linoleum, and I can’t see my ribs anymore but I can’t see the end either
I’m glad my grandma died before she could see me get fat
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“I’m glad my grandma died before she could see me get fat” from THE INFLUENCERS ARE GASLIGHTING US: by Bleah Patterson.
Published by Bottlecap Press on October 18, 2024.
Copyright © 2024 by Bleah Patterson.
All rights reserved.
Reproduced by Poetry Daily with permission.
Bleah Patterson is a queer, southern poet from Texas. Much of her work explores the contention between identity and home. Her work has been featured in various journals including Electric Literature, Hayden’s Ferry Review, The Rumpus, and Taco Bell Quarterly. Her debut collection Worm Girl is forthcoming in Spring 2027.
"Bleah Patterson’s microchapbook is nothing if not daring. An examination of gender, body image, mental health, queer sexuality, and other timely issues relating to identity (and the challenges that invariably attend attempts to discover, articulate, and assert one’s own identities), THE INFLUENCERS ARE GASLIGHTING US simultaneously and unapologetically (if mostly implicitly) critiques the insatiably self-gratifying nature of social media and the problematic norms and standards it only serves to reinforce."
—The Inflectionist Review
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