Once, when three, you had almost drownedin the village pond. The light of Ankleshwarmust have appeared as though in a pinholecamera—the convex sky, the crowded market,gathering around that one distorted, tenderface which kept evading through dense decadesof strife and fulfilment, pettiness and disease,becoming a dozen streets, a neighbourhood,in a Bombay where you fathered six children,watched English films at Opera House, thentook the last train to Borivali. You wereninety when she plunged her hand in the waterand pulled you out by the hair.
Experience
Snehal Vadher
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“Experience” from WINDOWS TO A MOUNTAIN: by Snehal Vadher.
Published by Copper Coin Publishing in 2024.
Copyright © 2024 by Snehal Vadher.
All rights reserved.
Reproduced by Poetry Daily with permission.
Snehal Vadher’s first collection of poems Windows to a Mountain was published in 2024 by Copper Coin. A second compilation, Xerxes, which includes prose sketches, poems, daily journal entries & short fiction will be published as part of Thayil Editions in 2027. Snehal is one of the Fall-Winter 2027 Fellows at MacDowell Residency.
Snehal Vadher’s debut collection carries the timbre of mountain winds. Although the poems are arranged alphabetically by title, they can be read in any order, which is often the best way to experience poetry. Vigorous yet tender, expansive yet precise, they inhabit a world where practised stasis encounters the inevitable dynamics of life. While rooted in the immediate landscape, they find distinct ways to soar and surprise.
Vadher taught English and creative writing in Mumbai for over a decade before the pull of the Himalayas became irresistible. He moved to Dharamshala, where he guides bicycle tours and treks. A journey with him, whether virtual or real, promises both adventure and epiphany.
“Snehal Vadher’s Windows to a Mountain (Copper Coin, 2024) is his first collection. He writes in long (sometimes short) meditative lines, paying close attention to the world around him as well as to his response to it. Walking up a familiar route in Dharamsala where he lives, he approaches his destination. It’s a stream. ‘And suddenly,’ he writes, ‘I’ve lost what I no longer need. / To be washed clean of a name / and then to go looking for it is fear.’ Though these moments of vision can happen any time, they happen particularly on a ‘Sunday evening / [when] everything is preordained.’ Sometimes the very ordinariness and predictability of the experience is the vision.”
—Arvind Krishna Mehrotra
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