Mr. Jayland Walker is deadof 90 decisionsmade near the entrance to the I-80by eight policemenresulting in 64 woundsto one bodyso plainly riddledentrance was exit & exitentrance(he was 25)although his particulartraffic violationgoes unspecifiedstillnear three abandoned rubber factoriesmanufacturing silenceeven beforeBicentennialbuntinghungbedraggledred white and blue caution tapeall over dead deaddowntownlit up now by the sodiumlights of the Rubber Ducks’minor league baseball stadium—Akron is rising!—presided over by acold moonand eight men(fiveon the forceless than two-and-a-half years)whose lurchingcollectiveweight and outstretchedintractabilitiesaimed a young manemptyhandeddown a green stretch of summer’s listennot far from thechildish hillof the Soapbox Derbyand the Catholic school gym where LeBronJames first levitatedgodheadjust a milemaybe lessfrom the placeSojourner Truth askedher oneworld-changing question—if it were a differentworld than the onewhere eight policemenagree“Mr. Walker assumeda firing position”while running away from themas fast as he couldin the shadow of the InventorsHall of FameMiddle Schoolwhere no fraction ofMr. Walker’sassumptionis visibleon the partialbody-cam recording(it is always a partial recording)about which Akron’sMayor warned“this will be hard to watch”meaning—does it—that Mr. Walker’s two eyes remain openwatching uswatch for another246 yearsthe commonplaceappalling?
Akron
Feature Date
Series
Selected By
Share This Poem
Print This Poem
Copyright © 2025 by Dorothy Barresi.
All rights reserved.
Reproduced by Poetry Daily with permission.
Dorothy Barresi is the author of five books of poetry, most recently What We Did While We Made More Guns (Univ. of Pittsburgh Press). She is the recipient of an American Book Award, an NEA Writer’s Fellowship, The Barnard College New Women Poets Prize, and two Pushcart Prizes. Recent poems appear in Zocalo Public Square, Conduit, Lake Effect, VerseVille and Slant. Her poems have also been included in two recent anthologies: Poetry Goes to the Movies, and In the Black, In the Red: Poems of Profit & Loss. Her manuscript in progress, The Anthropocene, explores the Exide Technologies lead contamination disaster in southeast Los Angeles. She lives and writes in Los Angeles, California.
35
Saint Paul, Minnesota
Editor in Chief
William D. Waltz
Deputy Editor
Brett Astor
Assistant Editor
Kyle Constalie
Associate Editors
Steven Lee Beeber
William Stobb
Paula Cisewski
Conduit is a literary journal that is at once direct, playful, inventive, irreverent, and darkly beautiful. Despite common sense and the laws of economics, Conduit has been thwarting good taste, progress, and consensus for over thirty years. Conduit publishes distinctive voices of literary merit—experimental to accessible, established to emerging—in snazzy volumes, featuring work that demonstrates originality, intelligence, courage, and humanity. Conduit champions a fresh mix of writers. If that isn't enough, Conduit reaches beyond the literary by interviewing astronomers, ethno-botanists, artists, graphic artists, and historians, et cetera, believing a vigorous imagination is one that is cross-pollinated by diverse areas of human inquiry.
Poetry Daily Depends on You
With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.
