Object Lessons

What Sparks Poetry is a serialized feature in which we invite poets to explore experiences and ideas that spark new poems. 

In our current series, Object Lessons, we’re thinking about the relationship between the experienced and imagined world. We have asked our editors and invited poets to present one of their own poems in combination with the object that inspired it, and to meditate on the magical journey from object to poem. 
 
Each essay is accompanied by a writing prompt which we hope you will find useful in your own writing practice or in the classroom.

Peter Streckfus on “An Allegory”

Many of the poems in my last book, Errings, explore collective acts and decisions: a team of census workers tries to enumerate the homeless in a tent camp, disciples seek and elect a spiritual leader, siblings at their dying father’s bedside ask him to blink if he can hear them, rules about poetry move from one poet through another and into the poems of the book itself. “An Allegory” picks up this line of thought through an experience I had with my daughter when she was just learning to speak.

In the poem, a parent recounts to a child a moment early in their life together. It is a moment of brief debate: The parent introduces the word “float” and how one might play “boat.” The child counters.

As a relatively new parent at the time of the original experience, when I first took notes for this poem, I was thinking about safety, about global warming—an object in the world we choose to see only if we read across many fields of knowledge at once—and one of its effects, the rising seas.

I thought about the future—and the shores my daughter would stand on—every time we played in water. Play with a young child is always about the objects themselves, but at the same time always seems somehow allegorical. A story unfolds. Ideas about the world are exposed: Rub-a-dub-dub, three men in a tub….

What strikes me about the interaction in the poem is the radically different point of view the child presents via her simple vocabulary. In regards to water, “swim” comes from a different paradigm than “float.” Boats do not suddenly become useless at the end of this poem, of course. But I do think that listening, empathy, love, becomes more useful. The speaker of the poem, who knows he knows more, suddenly realizes, in an important sense, he doesn’t. The new solution changes the world of the poem.

I think about collective decisions we face at this moment, about how we take care. Of what we elect to do. I think of our individual assumed knowledges of the world, and of the structures through which we hear and register across our many points of knowledge.

I don’t need the boat, the child seems to say.

Writing Prompt

Write a poem in which the speaker interacts with someone or something (real or imagined, living or ideal) who communicates back, if at all, in a language outside of everyday speech. The speaker tries to read the signs of the other, tries to understand the world more, or what underlies the world, via the interaction.

Share This Post

Share on facebook
Share on twitter
Share on email

Print This Post

Share on print

Peter Streckfus

Peter Streckfus is the author of two poetry books: Errings, winner of Fordham University Press’s 2013 POL Editor’s Prize, and The Cuckoo, which won the Yale Series of Younger Poets competition in 2003. His poems appear in journals such as the Bennington Review, The Chicago Review, The New Republic, and the Academy of American Poets’ poem-a-day. His awards include fellowships and grants from the Bread Loaf Writers’ Conference, the Peter S. Reed Foundation, the American Academy of Arts and Letters, and the American Academy in Rome. He lives in the Washington DC area and is on the faculties of the Creative Writing Program at George Mason University and the Low-Residency Pan-European MFA in Creative Writing at Cedar Crest College.