I gave Alex my ruined piano. He kept it on his porch,where rain warped its boards. On hot daysI’d play tinny ragtime while Alex smoked and drankand complained about women. The pink sun,like a fat corpse head, hovered over black pines.+Once, a kitten crawled into his truck’s engine.He didn’t know it until he turned the ignition.It was too late, then for the kitten.Goddamn, Alex said. But the sound didn’t bother himthe way it bothered me—+I was trying to write a book of poems but it was goingbadly. Get a fucking job, said Alex. Then you’ll havesomething to write about, you fucking university faggot.He was laughing+ so I knew he loved me.Alex had written a great memoir years ago. I read ittwice: a young manraised by bikers and lunatics who discovers his ownhumanity. Fragility. I was never really sure.+first, the catching of the truck’s ignition, then the shriek—+In the piano’s brain, the little hammers pounded,looking for the perfect thought. But the thought wouldn’t come.It kept losing its way among the strings—+That was years ago. Alex drank himselfinto oblivion in Texas and was never heard from again—or Alex called and called, deep in his own black drunkness,and I stopped answering—+though I’m making good use of him now, in this poem aboutthe futility of memory and the passage of time,having read his memoirabout a boy trying to find his way alone, a boywhose best friend finally, in the uncomfortable suburbs,betrays him—+Something about youthful pain that unites us,literature requiring of us empathy—+Get a fucking job you condescending asshole, says Alexfrom that porch years ago, chair tipped back against the wall,out of liquor smiling into the fat sunset.+The kitten in the engine, asleep all day beside the fanbelt—There’s the history of a friendship for you—+Anyway, the last time he called, he wanted money,and I told him, Your timing’s not great man, and he said,You’ve made it, you’ve gotta look out for your people,and I’m good for it, I’ll get you back. and I said,OK, don’t worry about it, man, and I sent him a check,and then I stopped answering the phone+Bourbon’s on me, he said smiling, walkingdrunk to his truck. On me, on me, he sang,waggling his hands as if he, too, were playing a piano,and laughing.+ Then he climbed into his truckand started it up.
A Friendship
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Copyright © 2026 by Kevin Prufer.
All rights reserved.
Reproduced by Poetry Daily with permission.
Kevin Prufer’s most recent books are The Fears (Copper Canyon Press, 2023), winner of the 2024 Rilke Prize, and Sleepaway: A Novel (Acre Books, 2024). His books have been named among the year’s best by The New York Times, Booklist, and Publishers Weekly. He is the 2026-2027 Texas Poet Laureate and teaches at the University of Houston’s Program in Creative Writing, where he also co-directs the Unsung Masters Series. His forthcoming books are Good People: Poems (Copper Canyon, 2027) and the novel The Summer of Shooting Stars (Slant Books, 2027).
Plume is a magazine dedicated to publishing the very best of contemporary poetry. To that end, we will be highly selective, offering twelve poems per monthly issue. A provisional indication of our tastes — “what we are looking for” — may be inferred from the quoted passages (which will change often): a sense of the uncanny, foremost, and of the fineness of language, the huge absences to which it points and partakes of, and the urgency and permanence of its state of departure — the coattails forever — just now — disappearing around the corner…
The title of our review suggests several elements that in one way or another find kinship in our little adventure: Aside from the fact of its French definition — and not forgetting l’homme de plume — these include:
— in English, the feather with which one adorns oneself or bestows on another, whose topmost barbicels when trailed across a bare forearm or unguarded nape make its owner’s skin crawl and leap with delight;
— the name of Henri Michaux’s ephemeral and paradoxical prose poem figure;
— and the glancing blow of surrealism in Breton’s famous reaction upon finding himself in the presence of beauty: “a plume of wind at the temples.”
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