Paper Boats

Cole Swensen

The other day, a friend was telling me about a festival in his hometown; it’s called the Bali Jatra, and it celebrates the day that all the merchants were expelled and fled to Bali in the 11th century. I’m impressed by what seems to have been an early anti-capitalist gesture that’s still being celebrated a thousand years later. And the residents honor it by launching intricately folded paper boats out across the river.
 

In my mind, I always see them lighted—a finely folded flotilla precise in candelabra, gliding off and glowing amber—though clearly not from candles, as the lights don’t flicker and the boats don’t burn down, and yet, I’ve never been able to figure out where the light comes from.
 

But it turns out that I got it all wrong—it is called the Bali Jatra, but it’s actually a celebration of the establishment of trade with far distant lands. And they do launch paper boats, and they are lit up, but there’s no mystery about it—each boat does carry a small candle, and given the nature of fire and paper, sooner or later, they do all go up in flames, becoming floating torches, each a tiny riot on its way outward, and the children on the banks clap and laugh and wave good riddance.

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Black-and-white headshot of Cole Swensen
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Anthony Hayward

Cole Swensen is the author of twenty books of poetry, most recently Veer (Alice James Books, 2026), from which the poem “Paper Boats” is taken,  And And And (Shearsman Books, 2023), which was longlisted for the 2024 Griffin Poetry Prize, and Art in Time (Nightboat Books, 2021), and a volume of critical essays, Noise that Stays Noise (U. of Michigan Press, 2011). A former Guggenheim Fellow, she co-edited the Norton anthology American Hybrid and was awarded the 2025 Paul Engle Prize by the Iowa City UNESCO City of Literature. Her work has won the Iowa Poetry Prize, the SF State Poetry Center Book Award, and the National Poetry Series and has been a finalist for both the National Book Award and the Los Angeles Times Book Award. She taught for ten years on the permanent faculty of the Iowa Writers’ Workshop and twelve years in the Literary Arts Department at Brown University. A translator of poetry and art criticism from French, she has won the PEN USA Award in translation, the 2024 ALTA National Translation Award, and the 2025 Stephen Mitchell Prize. She divides her time between France and California. 

"Swensen's insightfully idiosyncratic prose lyrics connect readers to their surroundings in new and surprising ways, reintroducing things and investing them with a prescient awareness and intelligence."
—Library Journal Starred Review

"I have been following Cole Swensen’s work for decades and this may be my favorite of her books. Veer is composed of three linked sets of prose poems which may at first appear to resemble those of Francis Ponge but which are more like skewed riddles or bent parables. Based on close observations they quickly veer towards the absurd or surreal. Best, perhaps, are the sonically perfect epigrams such as ‘for an egret is always an excess of stillness’ or ‘Exactitude, for instance, will follow a pencil for miles.’ I can’t wait for this book to appear."
—Rae Armentrout, author of Wobble and Partly: New and Selected Poems

"That sense of possibility—of poetry as a space where the logical can give way to the luminous—defines Veer. It’s a collection that doesn’t just describe the world but illuminates our embeddedness, and invites readers to follow along as it swerves into new terrain, where the unexpected is welcome, and essential."
—Kary Hess, Pacific Sun

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