Against the Encroaching Greys

C. D. Wright

I held up the femurof a grasshoppersome blue air fell over mewhat I want is less clear to menow than it was thento be loved to the endwithout ruth or recriminationto forgive myself as othershave forgiven meto enjoy the birdswith little bonesat the farmer’s marketI still see his truckfrom time to timenotices on utility polesfor a lost dog answeringto Scout sometimes I sitin a cafe pretendingto read but knowingI want to be the oneto find ScoutinsteadI do what I have doneI wake up and jointhe struggleof the treesto find a waythrough and thena dark clotof poetry breaks off

Feature Date

Series

Selected By

Share This Poem

Print This Poem

Headshot of C.D. Wright

C. D. Wright was one of the most influential and vital North American poets of her generation. After her sudden, unexpected death in 2016, the New York Times obituary noted that she was so uniquely original that she “constituted a school of exactly one.” Although she was known as a lyric and elliptical poet, she drew from narrative and documentary poetics to write books defined by their wry humor, their ethical orientation, and their inventive formal strategies. She grew up in the Ozarks of Arkansas as the daughter of a country judge and a court reporter. There she picked up a keen vernacular voice that came to characterize much of her writing. Wright was married to the poet Forrest Gander from 1983 until her death; they had one child, the artist Brecht Wright Gander. Among many prestigious honors, Wright received a MacArthur “Genius” Fellowship, a Guggenheim Fellowship, the National Book Critics Circle Award, the Lenore Marshall Prize, and the Griffin Poetry Prize. Since her death, the Foundation of Contemporary Arts has funded an annual C. D. Wright Prize, an annual C. D. Wright Women’s Writers’ Conference was launched, Brown University funded into perpetuity a C. D. Wright Memorial Lecture, and books of critical essays on her work and a “Collected and New Poems” are in the works.

“This comprehensive and riveting volume […] serves both the ardent fan and the newcomer to [Wright’s] work. Wright’s commitment to wonder and witness runs throughout like an iron wire, revealing a logic made newly legible by this collection […] Attuned especially to the poor and disenfranchised, the victims of racialized violence, and the incarcerated, these poems strive to represent people ‘as they elect to be seen, in their larger selves.’ It’s a thrilling assemblage of Wright’s unforgettable writings.”
Publishers Weekly, STARRED review

Poetry Daily Depends on You

With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.