Apologia to the Stag

Reginald Dawyne Betts

after Piero della Francesca’s fresco of Saint Julian

Because, maybe, there was no stag& the only curse was anger.Blame desire—to desecrate, destroy,Turn from prayer. What if Julian knew,As we all know, when we test disaster,& venture toward the last ledge,Some lonely cherubim pullingUs back, except we don’t breathe& instead shatter our histories;What if there were no stag & onlyThe pause after, where escapingYesterday becomes folly& recovery demands invention—Shahid has lived in cities of menWho know what it means to failTo turn away. A man can walkUntil all his steps become sorrow,& maybe others will name it pilgrimage,& over two fingers of rum, maybeThey’ll tell this story of the stagWhose warning was ignored, & theyWill never say it was a collie or houndOr small terrier that barked no,Because then we’d know the lieOf warning, know that a dog wouldLeap before a blade to save the lastBit of goodness we have, & so it isA stag we hear of, instead of the horrorOf a man who should have paused.& haven’t we all been that man? ImaginingWe might have listened if the voiceWarning was more eloquent or a barkOr at least the stag we wish warnedHim? They say, the woman who tookHis hand knew him better than the bloodThat covered them, & years later, no oneWill say she was wrong, even then,Knowing that when they left that disaster,He was hoping to assemble what he’d broken,The very best way he knew.

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Photo:
John D. and Catherine T. MacArthur Foundation

Reginald Dwayne Betts is the author of three books of poetry, including the best-selling Felon. He is a poet, lawyer, and the founder and CEO of Freedom Reads.

Reginald Dwayne Betts is our foremost chronicler of the ways prison shapes and transforms American life. In Doggerel, Betts examines this subject through a more prosaic—but equally rich—lens: dogs. He reminds us that, as our lives are broken and put back together, the only witness often barks instead of talks. In these poems, which touch on companionship in its many forms, Betts seamlessly and skillfully deploys the pantoum, ghazal, and canzone, in conversation with artists such as Freddie Gibbs and Lil Wayne.

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