To Whom Should We Recite the Time

Nasser Rabah
Translated from the Arabic by Ammiel Alcalay, Emna Zghal, & Khaled al-Hilli

The war left me only those who died to call friends. I bless
night and light a votive candle so they pass through me in
a dream, like a scalpel or a cough, it left me no heart as a
window to hang on the wall of memories, no street for when
passion waves its kerchief and birds flee and songs groan
because it didn’t forget the coppery taste of bullets and the
deep scent of parting in the heart. It didn’t forget that a hand
scattering love like a news vendor on morning doorsteps now
collects their remains every night under the pillows, it arranges
them in family libraries next to old wishes and stale kisses.
To whom then should we recite The Opening? Whoever died
died, in their palm a basket of vegetables and the scent of
fruit, and in their pocket a bus ticket and a new recipe for
pizza! To whom then should we recite the Time, for no one
is left on the sidewalk of longing who didn’t get on the bus
but me and the morning rush, where war left us nothing
but the distance between the florist and the cemetery.

 

 

على من نقرأُ الوقتَ؟

لم تتركْ الحربُ لي غير الذينَ ماتوا أسميهُم الأصدقاءَ. أباركُ ليلاً وانذرُ
شمعاً كي يعبرونيَ، في حلمٍ كمبضعٍ أو سعالٍ، لم تتركْ ليَ القلبَ نافذةً
أعلقُها على حائطِ الذكرياتِ، ولا شارعاً كلما لوّحَ الوجدُ منديلَهُ هجّتْ
طيورٌ وأنَّت أغانٍ، فهي لم تنسَ بعدُ طعمَ الرصاصِ النحاسيِّ، ورائحةَ
الفراقِ العميقةَ في القلبِ. لمْ تنسَ أن يداً تنثرُ الحبَّ كبائعٍ للجرائدِ على
عتباتِ الصباحِ صارتْ تلمُّ اشلاءَهُم كلَ ليلةٍ تحتَ الوسائدِ، وتراصفَهُم
في مكتباتِ البيوتِ جوارَ الأماني القديمةِ والقبلِ اليابسةِ. على من
إذن نقرأُ الفاتحةَ! والذي ماتَ ماتَ، وفي كفِّهِ سلةُ الخضرواتِ ورائحةُ
الفاكهةِ، ماتَ وفي جيبِهِ تذكرةُ الباصِ ووصفةُ البيتزا الجديدةِ! على من
إذن نقرأُ الوقتَ، فلم يبقَ على رصيفِ الشوقِ لم يركبْ الحافلةَ سواي
وركضُ الصباحِ؛ حيث لم تترك لنا الحربُ غير المسافةِ بين بائعِ الوردِ
والمقبرة.

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Nasser Rabah was born in Gaza in 1963. He got his BA in Agricultural Science in 1985, before going on to work as Director of the Communication Department in the Agriculture Ministry. He is a member of the Palestinian Writers and Authors Union and has published five collections of poetry, Running After Dead Gazelles (2003); One of Nobody (2011); Passersby with Light Clothes (2014); Water Thirsty for Water (2017); Eulogy for the Robin (2021), and two novels, Since approximately an hour (2018), and The Enclosure of the Gazelle (2024). Some of his poems have been translated into English, French and Hebrew. He lives in Gaza.

Poet, novelist, translator, essayist, critic, and scholar Ammiel Alcalay‘s over 20 books include After Jews and Arabs, Memories of Our Future, Islanders, and the forthcoming CONTROLLED DEMOLITION: a work in four books, and Follow the Person: Archival Encounters.

Emna Zghal is a visual artist and professional interpreter with an acute sense of poetry in a number of languages.

Khaled al-Hilli is a life-long student of the Arabic language and grammar and now professor of Arabic whose own life journey has immersed him in various Arabic milieus, from Iraqi to Lebanese and Levantine. He lives in New York City.

Born in Gaza in 1963, Rabah spent some of his formative years in Egypt, before returning to Gaza in his early twenties, where he has lived ever since. There, among the generations who built its neighborhoods and populate its villages, in a place of great natural beauty and vibrant cities, living under constant surveillance, military occupation, blockade, siege and regular attack, in a culture steeped in literary and spiritual tradition, Rabah developed his distinctively singular vision and poetics.

This is Rabah’s first book in English translation. The poems include a selection from three of his published collections, along with new poems written after October 2023, during the full-scale Israeli assault on Gaza. Throughout, we find a combination of irreverence and fidelity to tradition, a sense of surrealism infusing the depiction of everyday incomprehensibilities, and an unsettling, delicate tenderness always on edge in an atmosphere of sensory inundation and emotional saturation. Rabah’s poems can be raw and uninhibited by social or literary conventions, exploring and questioning one’s relationship to divinity in absurd circumstances while confronting the sacred cows of his own society, along with the sometimes voyeuristic interest from those on the outside of it. His poetry constantly interrogates–sometimes playfully and sometimes in utter existential despair–the paradoxes and difficulties of expression and of writing itself. Nasser Rabah is a poet we have much to learn from.

This is a bi-lingual edition and includes the original versions in Arabic.

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