As the Fog Starts Burning Away

Brent Ameneyro

Three things: I’ve never been to
a funeral, a man is his own
prophet in the morning, a door

floats above an endless horizon.
But I have walked through hospice halls,
I have stood at the edge of a cliff.

I clear my mind with coffee
and the gentle caress of a breeze.
At the ocean a seagull

and a helicopter disappear.
Everything is in harmony
or there is no such thing as harmony.

At the ocean and there’s a hole
in the sky. I don’t want to think
about the people I love

dying. The best time of day
is just as the fog starts
burning away. A door

floats above an endless horizon.
I don’t ever want to go
to a funeral. At the ocean

we all turn to children.
A group of migrants
sewed their mouths shut

at the border because their voices
fell through a hole
in the sky. It’s been said

we know less about the ocean
than all the cosmos; the shoreline
is a border, the moon

a dictator, and I don’t want to think
about the creatures lurking
thousands of meters below the surface.

We laughed in the living room
while Mayté patiently
died in her room. We took turns

talking to her alone because she had
one foot over the border and we thought
maybe God could hear us through her:

Take care of her, let her have peace,
don’t take her, not yet,
I love you. Come to think of it,

I’ve been to several funerals
but the memories went through
a door that floats above an endless

darkness. Staring at the coffee
grounds at the bottom of my mug,
pretending to understand

tasseography, I see my face,
two countries, and a bright
emptiness surrounding everything.

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Brent Ameneyro is the author of the collection A Face Out of Clay (The Center for Literary Publishing, 2024), winner of the 2025 NIEA Juror’s Choice Award. He was a Letras Latinas Poetry Coalition Fellow with support from the Academy of American Poets, a Poets & Writers Get The Word Out Fellow, and a recipient of SDSU’s Research Award for Diversity, Inclusion, and Social Justice. He currently serves as the poetry editor for The Los Angeles Review and as an associate for Letras Latinas at the University of Notre Dame’s Institute for Latino Studies.

Twenty-second in the Mountain/West Poetry Series.

Written at the convergence of imagination and memory, A Face Out of Clay delves deep into childhood experiences and cultural identity. Through eloquent verses and poignant imagery, alternating between narrative and lyric poems, the book paints a complicated portrait of a bi-national speaker. The poems navigate the interplay between Mexican roots and the American experience, seeking to reconcile both cultural identities. They present themes of social justice, family bonds, and the power of cultural traditions, highlighting both difficult truths and everyday beauty. The poems transport readers back in time, reliving childhood innocence, natural disasters, and political oppressors. They serve as a reminder of the power of nostalgia along with the challenges that come with recreating memories. A Face Out of Clay is a profound exploration of the human experience, inviting readers to reflect, celebrate, and connect with the transformative power of poetry.

19th Annual Juror’s Choice Award from National Indie Excellence

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