between the night & its shadow is the musicbetween the music & the night is the songbetween the song & the music is the voicebetween the voice & the music is the selfbetween the self & its song is the mindbetween the mind & the song is the melodybetween the song & its melody is the rhythmbetween the rhythm & the melody is the mindbetween the mind & its song is the wordbetween the word & the mind is the voicebetween the voice & the word is the thoughtbetween the thought & the voice is the selfbetween the word & the self is the shadowbetween the shadow & the self is the lightbetween the light & the word is the music(the song is the melody in the word in the rhythmthe self holds the mind to the word & the thought of the songthe voice in the song sings the self to the mindthe light lights the shadow of the voice & its melodythe rhythm moves the self through the dimming night’s songthe thought in the song is of night’s shadows without music)
Between the Night & Its Music
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“Between the Night & Its Music” from BETWEEN THE NIGHT & ITS MUSIC: by A.B. Spellman.
Published by Wesleyan University Press on October 1, 2024.
Copyright © 2024 by A.B. Spellman.
All rights reserved.
Reproduced by Poetry Daily with permission.
William Alexander Dickson II
ALFRED BENNETT (A. B.) SPELLMAN is both a founding member of the Black Arts Movement and one of the fathers of modern jazz criticism. Before beginning his thirty-year tenure at the National Endowment of the Arts, Spellman was an active poet, radio programmer, and essayist in New York, the poet-in-residence at the Morehouse College in Atlanta, and a visiting lecturer at Emory, Rutgers, and Harvard universities. He has also been a regular jazz commentator for National Public Radio and has published numerous books and articles on the arts, including The Beautiful Days, a chapbook of poems first published by the Poets Press in 1965, Four Lives in the Bebop Business, a classic in the field of jazz criticism that is now available as Four Jazz Lives, and the book of poems, Things I Must Have Known (2008). Poetry selections from Things I Must Have Known form the basis of the musical work, A Passion for Bach & Coltrane by Jeff Scott, whose work as a member of the Imani Winds ensemble is represented in the Smithsonian Institute’s National Museum of African American History and Culture.
"Between the Night and Its Music is a revelation from an architect of the Black Arts Movement. This is a book to read and re-read for the music it helps us hear, and its own music."
Anthony Reed, author of Freedom Time: The Poetics and Politics of Black Experimental Writing
"This collection of A. B. Spellman's poetry captures the 'sensuality of a collective consciousness.' Spellman uses these words to describe the Black Arts Movement (the movement that set his poetics in motion). This necessary book shows that his entire poetic flow has been a profound movement of words that create the sensuality, music, and quiet of a Black collective consciousness."
Margo Natalie Crawford, University of Pennsylvania
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