The People’s History of 1998

Gbenga Adesina

France won the World Cup. Our dark-goggled dictator died from eating a poisoned red apple though everyone knew it was the CIA. We lived miles from the Atlantic. We watched Dr. Dolittle, Titanic, The Mask of Zorro. Our grandfather, purblind and waiting for the Kingdom of God, sat on a throne in his dark room, translating Dante. The Galileo space probe revealed there was an entire ocean hiding beneath a sheet of ice in Jupiter’s moon. The Yangtze River in China lost its nerve and wanted vengeance. Elsewhere a desert caught fire. We got a plastic green turtle and named it Sir Desmond Tutu. A snake entered our house through the drain and like any good son, I ran and hid under the bed. Google became a thing. Viagra became a thing. In July, it flooded at night and a wind nearly tore off our roof. I thought God is so in love with us, he wants to fill us with himself. My mother, I saw her through a slit in the door, a glimpse of amaranth-red scarf and swirling yellow skirt. She thought no one was looking. She was dancing in a trance to Fela Kuti. She laughed and clapped at the mirror. It was the year our house became a house of boys and girls, and a ghost, our little sister. Calmaria. That’s what the Portuguese called it. When it rained and the world was suddenly becalmed, we would run and peel out of the door, waving at the aurora of birds flitting past in the sky. We knew one of them, the little one, used to be one of us, those spectral white egrets.

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Headshot of Gbenga Adesina

Gbenga Adesina, Nigerian poet and essayist, received his MFA from New York University where he was a Goldwater Poetry Fellowship and was mentored by Yusef Komunyakaa.

His work has been published in the Paris Review, Harvard Review, Academy of American Poets’ Poem-A-Day, Narrative, Yale Review, New York Times Magazine, and elsewhere, and has been translated into six languages. He won the Narrative Prize as well as a Creative Writing Grant from Harvard University’s Woodberry Poetry Room. He is the inaugural Mellon Foundation Postdoctoral Fellow in Global Black and Diasporic Poetry at the Furious Flower Poetry Center, James Madison University.

His first book of poems, Death Does Not End At The Sea won the 2024 Prairie Schooner Book Prize for poetry and is due out next year.

Instagram: _gbengaadesina.

Cover of Spring 2024 issue of the Paris Review

Spring 2024

New York, New York

Editor
Emily Stokes

Managing Editor
Kelly Deane McKinney

Poetry Editor
Srikanth Reddy

Since its founding 1953, The Paris Review has been America’s preeminent literary quarterly, dedicated to discovering the best new voices in fiction, nonfiction, and poetry. The Review’s renowned Writers at Work series of interviews is one of the great landmarks of world literature. Hailed by the New York Times as “the most remarkable interviewing project we possess,” the series received a George Polk Award and has been nominated for a Pulitzer Prize. With the December 2016 redesign of the Review’s website, the complete digital archive of everything we’ve published since 1953 is available to subscribers. In November 2017, the Review gave voice to nearly sixty-five years of writing and interviews with the launch of its first-ever podcast, featuring a blend of classic stories and poems, vintage interview recordings, and new work and original readings by the best writers of our time.

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