In the mist I seelong lines of people walkingdeath walks to slave shipsBlack footprintson cathedrals and monumentsof the cityI dream Black immigrant feetmy family on the move workingsecond third fourth jobsIs that why hiking feels strange to us walking without purpose going up then down arriving at the same spotOr maybe there isa purpose somethingto find in the peakspeople who came herelong beforewhose stories are in the landthey claim isn’t yoursIs walking a reclamationa moving slowly enough to saythis is a land you can take your time withthese peaks are safe I won’t need to run
Black Walking
Jason Allen-Paisant
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“Black Walking” from THINKING WITH TREES: by Jason Allen-Paisant.
Published by Milkweed Editions on September 2, 2025.
Copyright © 2025 by Jason Allen-Paisant.
All rights reserved.
Reproduced by Poetry Daily with permission.
Photo:
Ferrante Ferrante
Ferrante Ferrante
Jason Allen-Paisant (FRSL) is an award-winning poet and writer whose works explore intimacy, memory, and the aesthetics of transformation. His poetry and prose attend to how history, perception, and the body shape one another. He earned a doctorate in Medieval and Modern Languages from Oxford University, after working on theatre from the English- and French-speaking Caribbean. His sophomore poetry collection, Self-Portrait as Othello, won both the Forward Prize for Best Collection and the T.S. Eliot Prize for 2023. His other books include Engagements with Aimé Césaire, a work of philosophy that asks what it means to be human after the collapse of colonial humanism. His book-length poem SNOW will be published by Penguin Books in 2027. Allen-Paisant is Professor of Critical Theory and Creative Writing at the University of Manchester, and currently a Fellow at Columbia University’s Institute for Ideas and Imagination in Paris.
Jason Allen-Paisant has emerged in recent years as one of the most celebrated poets in the UK and across the West Indies. Winner already of the Forward Prize and the T. S. Eliot Prize, his writing has been acclaimed for its artistry and the fresh perspective it offers on the relationship of the African diaspora to place and the natural world.
In this, his debut collection of poems, he recalls an idyllic boyhood in his native Jamaica, where the roots of guango and yam vines burrow deep into the bauxite soil. Walking with his grandmother to reach the yam fields she worked, he envisions how “the muscular guango trees were like beings among whom we lived.” Transplanted to England, where he lives and works now, he describes lovely rambles in entirely different landscapes. But Allen-Paisant’s experience in the dense woodlands around Leeds is complex—unleashed dogs are welcome, and Black men are found suspect. “Try to imagine daffodils / in the hands of a black family / on a black walk / in spring,” he writes, in a radical response to Wordsworth’s pastoral.
Subversive in its excavation of an imperialist past and wonderfully generous in its exploration of alternative worldviews, Thinking with Trees represents the arrival in North America of poems that expand roots and leaves into something deeper, richer, less compromising.
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