carcinisation

Nicholas Alexander Hayes

                                                                                                   spiracles wheeze                                                                                                   across bone thoraxes.animals scuttle                                 through              mercury whale fall.rectal tongues                                   pry lichen           from phallic vents.spiracles ooze                   sulfur from deep             sea ventprisons                                 impregnated                     with syphilisnecklaces                            of bone scratched           with hieroglyphsby spirochetes                                    and their            reddening buds.poison slime                      sustains a foam               of fine roe.large quantities                of mercury                         cascade:limbs tied,                           cock flagellated               trickle blood                impregnated with heavy waste metals                                 from obscene veranda                                                  literature.                                                  bone needs                                                  viral etching                                                  to incarnate.

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Headshot of Nicholas Alexander Hayes

Nicholas Alexander Hayes is the author of  Lexicartographies (BlazeVox, 2023). He is also the author of  the chapbooks In Green Carnation (Ethel, 2025) and Amorphous Organics (SurVision, 2019). His work has been featured in the anthologies Contemporary Tangential Surrealist Poetry; Contemporary Surrealist and Magical Realist Poetry: An International Anthology; and Madder Love: Queer Men and the Precincts of Surrealism. Nicholas lives in Chicago with his husband and cats.

"Nicholas Alexander Hayes's Lexicartographies feels like a microscopic look at an ever-shifting organism, with language serving as a tool for mapping out its evolution and tiniest particles, both fragile and brutal in their raw, naked reality. The sight is as fascinating and awe inspiring as it is disturbing as we glimpse ourselves—our own inescapable nature as biological beings shaped by our desires, history and myths. An extraordinary feat of poetry and form."
—Dominik Miles, editor of SCAB

"Once upon a time, in a natural history museum, a young girl strode into a hall devoted to a skeletal replica of a massive titanosaur—a Cretaceous sauropod—and exclaimed, 'Oh my gosh, a lobster!' And thus the beast coupled with the girl’s word and born was a new animal, a new phylogeny, and a new way to understand evolution. Lexicartographies repeats that moment on every page, uncovering for us the heretofore invisible undefinitions of words, while reminding us that language is as biological as anything else we do—eat, copulate, excrete—and that we live, always, 'between citadel and buttocks.'"
—Eric Elshtain, Field Museum Poet-in-Residence

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