Dead Man’s Pose

Soham Patel

child’s born and mothercries in hospital for daysless for what child is/not/more forall this world’s got in store for hernames her daughter a boy’s namebabe lifts lids to expose irisesso blue the white nursescreams this is god’s baby,the devil’s, or a ghost   in the Gulf of Mexico shrimps’maters got exposed to oil in a spillyears ago so a swarm of grand-spawns grow now with no eyes

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Headshot of Soham Patel
Photo:
Chuck Stebelton

Soham Patel is the author of The Daughter Industry (Nightboat, 2026), as well as all one in the end/water—(2022), ever really hear it (2018), winner of the Subito Prize, and to afar from afar (2018). They live in Blacksburg, Virginia where they teach at the MFA at Virginia Tech.

The Daughter Industry is a fierce autopoetic in which cultural and sociopolitical scripts dance toward collision. Through a dazzling choral voice, Patel exposes the machinery built to vanish daughters and vanquish desire. Like an alchemist, Patel speculates, blends, and recomposes the elements until the truth arrives unruly, visionary, and gloriously singular in its force.
—Airea Matthews

In The Daughter Industry, Soham Patel constructs a poetics of survival where each page feels like a laboratory. Theatrical forms, documentary forms, lipograms, redactions, concrete and visual forms, yogic forms: these experimental ways of creating serve as containers for those whose bodies circulate at the deadly intersection of technology, culture, politics, and biology. That there is pleasure in the sounds and rhythms and voices and shapes of this book is a testament to Patel’s vision
—Daniel Borzutzky

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