Crustacean

Oluwaseun Olayiwola

Running your hand through a stream, a little crustacean attaches itselfto your fingertip.It punctures you where perception stops and doesn’t hurt. No yell, justlittle trove of delight to feel this lifeform clinging to you.Sometimes grief — many-petaled, in the reproductive season, hot —cowers, removes its shell, briefly, and you see it, too, is simply a case ofmisplaced vulnerability.In its vibration, we, ourselves, are seen. To love what you cannot see orto see what you cannot love? Which is your problem?What is at the precipice of naming has overstayed inside you,somersaulting in the late hours, the infinite skeletal choreography of therepressed. Its implosion, its tape.Every face hides inside it the decision to live. At a hilltop, you knot yourhands behind your back, not with a string, but with a mind.The grass pelts your face as you roll down the hillside, the velocity ofrecklessness. The beautiful daises trampled, being pushed down deeper,deeper on the pyramid of unfair composition.

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Color headshot of poet Oluwaseun (Seun) Olayiwola

Oluwaseun (Seun) Olayiwola is a poet, critic, choreographer and performer based in London. His choreographic work has been presented at the V&A, The Place, The Central School of Ballet, and Studio Voltaire. He’s been commissioned by Ledbury Poetry Festival, Southwark Council, Studio 3 Arts. His creative and critical work has been published in: The Guardian, The Poetry Review, PN Review,  Oxford Poetry, the Telegraph, the Times Literary supplement and elsewhere. Seun has a MFA in Choreography from the Trinity Laban Conservatoire of Music and Dance, where he was a Fulbright Scholar in 2018-2019. His debut collection will be published in January 2025 with Soft Skull Press (US) and Fitzcarraldo Editions (UK). 

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André Naffis-Sahely

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