…third rail plasmates break spraying boom formulas across Boogie down get slung and stunned by prince clown Robo Moziz’s web of doom plotting. Necro wealth got no room for hybrid gente, see, so we invoke the equation, the Zee, to loop life and lab synth ultra magnetic MCs y otrahylozoic mech entities.Hyte wild styles un cosmic flush time machine, un Ikonoklast rhizome of spectral ritmo portals minds roam to snatch back the islands of dimes empires embezzled and primed for mass snacking después they crashed on chill reefs. No grandmaster flashed their Alpha’s bet stance with so much Ionic coconaut glow.What other script toggler could splashcraniums of taxed mta surfers with petrol glyphs retooled to cure rubble trauma and school fly whelps on how our emigre elders become asphalt runways suns sashay upon. El Robo Moziz clan plan blasts barrios for mas billboard space y detains electric lexicons. Sly brainsalways possess the option toharvest flamboyant avatars, trap entropy in 808 states. Sir Ramm don’t die, he gestates into junk math and Bolivars white flight of fancy, crafts lodestars from soil of soul clap gang duck speak for transhumanoids til the break of dawn. Ill Moziz evictions bend borough blocks for land barons,bureaucratize extinction quakes.But All them faux lords sweat the Ell’s technique. Won’t stop cats who future the fossil, remix selves, suture stitch a red lego tux, rebel with ecstatic chaos tech spells, ride gettovett riff sub routines into eighteen trillion silk screened dusks. There is no afterlife, y’all. No before. It’s perpetual.Just polychrome goth future dreams,Latinerd chrono mutinies of garbage gods in an uprock, upcycling Plutonian schlock for the Brown pantheon party spurring eccentric ecstasy. Mozizm otra vez be slayed, quantum slanguage byways get made of siphonophonic cargo, un regalo del hombre whoswore he was an average jose…
Ramm:Ell:Zee’s Reboot (Non Elegy / iDécima)
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“Ramm:Ell:Zee’s Reboot (Non Elegy / iDécima)” from Hivestruck by Vincent Toro.
Published by Penguin Random House in August 2024.
Copyright © 2024 by Vincent Toro.
Used by permission of Penguin Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC.
All rights reserved.
Vincent Toro is a Puerto Rican poet, playwright, and professor. He is the author of three poetry collections: Hivestruck (Penguin Random House, 2024), Tertulia (Penguin Random House, 2020), and Stereo.Island.Mosaic. (Ahsahta, 2016), which won the Poetry Society of America’s Norma Farber First Book Award. Vincent is a recipient of the Caribbean Writer’s Cecile De Jongh Poetry Prize, the Spanish Repertory Theater’s Nuestras Voces Playwriting Award, a Poet’s House Emerging Poets Fellowship, a New York Council for the Arts Fellowship in Poetry, and a New Jersey State Council for the Arts Writer’s Fellowship. Vincent is also a recipient of the Letras Boricua fellowship, a partnership with the Flamboyan Foundation funded in part by the Carnegie Mellon Foundation. His poetry and prose have been published in dozens of magazines and journals and have been anthologized in Saul Williams’ CHORUS, Puerto Rico En Mi Corazon, Best American Experimental Writing 2015, The Breakbeat Poets Vol. 4: LatiNEXT, and Latino Poetry: the Library of America Anthology. He is an Assistant Professor of English at Rider University, and serves as a poetry editor for Kweli Literary Journal.
“Virtuosic...one of our most talented and daring poets...Hivestruck crackles with Toro’s critical vision and dazzling wit.” —John Keene, National Book Award-winning author of Punks: New and Selected Poems
Vincent Toro’s third collection of poetry is a work of Latinxfuturism that confronts the enigmatic and paradoxical relationship human beings have with technology. The poems are a tapestry of meditations on social media and surveillance culture, satires on science fiction and the space race, interrogations of artificial intelligence, cyborg economics, and biohacking, and tributes to women and queer and BIPOC people who have contributed and are contributing to human survival and progress in a technology obsessed world.
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