Dissonance (extract)

Kristin Dykstra

The beaver house is there, but no figure for beaver. The beaver dam is there, but no figure for beaver. A gap, where branches still hold green leaves, figures beaver. More green leaves grow. If they multiply, a beaverpond shifts into beavermeadow. Northern watersheds measure their futures in transition: a year abandoned, some years still vacant, then reoccupied with beaverfigures. Water lines a newly defined edge against the empty air. But the flood came: beaver disappeared. The pond margin holds. Are there aspens, or cottonwoods, or oaks or ashes, any pole-sized ones, a winter food supply? Two-year-old beavers searching for new ponds get hit on roads every spring. Where is the beaver now, where did we go?

 

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Kristin Dykstra is the author of Dissonance, winner of the Phoenix Emerging Poet Book Prize (The University of Chicago Press, 2025). She is also a literary translator and scholar whose honors include a PEN Award for Poetry in Translation, a National Endowment for the Arts Fellowship, a Dean’s Award for Outstanding Scholarly Achievement, and the Gold Medal for Best Nonfiction Book Translation (International Latino Book Awards). Most recently, her translation of The Star-Spangled Brand, by Marcelo Morales, appeared in early 2025 (Veliz Books), following the 2024 release of Jigs and Lures, by Reina María Rodríguez (Alliteration Publishing). Previously Dykstra translated collections by Amanda Berenguer, Juan Carlos Flores, Rito Ramón Aroche, Ángel Escobar, Omar Pérez, and Tina Escaja, as well as additional books by Morales and Rodríguez.

A collection of poems and photographs that take the foothills of Vermont’s Green Mountains as a microcosm for considering climate change, borders, and community life.
 
In Dissonance, translator Kristin Dykstra’s first book of original poetry, the author leads us to inner worlds shaped partly by the New England countryside, tracking shifts in the region’s nature, infrastructure, and people, while sharing observations on borders and climate catastrophe that reverberate globally. Dykstra condenses signs of urban expansion, economic division, and battles over democracy into an innovative meditation. With a dynamic approach to form, musicality, and scope, Dissonance explores ways of experiencing regional landscapes and imagined communities in the twenty-first century.
 
Through her extended sequence of prose poems, photographs, and lyric fragments, Dykstra merges clips from documents and dialogues with observations drawn from two local libraries and her daily walks down a dirt road through Vermont’s foothills. As she moves down this public road, which lies within the nation’s federally designated hundred-mile border zone, she finds a daily convergence of tensions. Dissonance asks how poetry can unsettle impressions of a place, and how that process, in turn, disturbs impressions of self, of others, and of time itself.  
Dissonance is the recipient of the third annual Phoenix Emerging Poet Book Prize.

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