[stones stacked at the back]

Justin Cox

stones stacked at the backof the piece at the little riseinto the trees, honeylocusts with…neoclassical? gothic? thornsclassical thornshired to stack these rocks Ishift and walk, shift and walkand stack and spit, take abreak, sift, pick loose skinfrom a callous of coursethe grass infested noamount of turkey nobantam rooster cansolve so I stay mostly in the rocksdigging out a few, so many loosebones yes but not novel theshocks running throughI thought “count every rock” andyou know, “one, one, and so on”so I took a picture of the sunsetthe early sunset, the sun barelyeven setting, like the sun restingwith its eyes closed, beamingthrough the seed heads ofmiddle distance and thoughtof a fish I could catch, fishgutsin the garden, thought about thehard rain forecasted and howthis hard ground, mostly dust,bones, rock, and weeds wouldfeed the fish, would rush wouldilluminate the ditch the valley andhow in town down the hill fromthe house a pool would start atthe culvert and creep past the poles ofthe martin houses over the tops ofgreen onions and halfway up the terrace tothe patio, poolthe brick fireplace its blackened gratea landing for helicopters

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Justin Cox is the author of Stock Pond (Bench Editions, 2025). His writing has appeared or is forthcoming in Annulet, Chicago Review, Fence, Sprung Formal, the Tilted House Slender Broadside Series, and elsewhere. Justin teaches and photographs owls in Iowa.

Stock Pond catalogs ecological and social impacts of industrial agriculture in the rural and the remote. Riffing on necropastoral and visionary poetics, Stock Pond proposes a cottage corrosive portrait of country life. These poems are especially concerned with living-with-animals in landscapes of runoff and hedge.

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