Geologists say that in ten years, Florida’s coastlines will be underwater.Oceanfront properties will drown in the wake of global warming,and still, mansions sprout up, fungus clustered on the dunes.Large bay windows at constant war with salt grime.Bowl of fake lemons on the marble countertop,pop of sunshine yellow greeting the snowbirdswhen they arrive for winter. The restof the year, the nests are empty, hauntedonly by housekeepers and gardeners.We’d cruise slowly up Siesta Drive,smoking joints, turning into drivewayswith no gates, rolling the windows downto get a better view of fountain statues,birds of paradise, vaulted entryways. She neverworried about getting into trouble, plucked orangesfrom their trees and called it a favor, less rotting on the ground,better us than the ants and rats. That summer wasa pinwheel spinning too fast, and we were dizzywith teenage desires. Twin galaxies drifting lightlytoward our centers of collapse. We’d goback to our neighborhood, inland, late andsmelling like smoke, my parents askingthe unanswerable question of whereI’d been, who I’d been with.When they forbid mefrom speakingto her,it onlymade us morereckless, desperatefor places to be alone, to be ourselves.So, when we finally tried the front doorof a waterfront mansion and found it open,we didn’t think twice about going inside, drinkingtheir wine, sliding down the staircase railing,bathing in the Jacuzzi tub, jets turned up.This is where I wish the story ended,with us laughing, running towardthe next sunkissed afternoon orhumid night together.This memory of us,happy, whole,preserved.A shipin a bottle,bobbing in the rising waters,no one knowing quitehow we got in there,if we have any intention of coming back out.
Erosion
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“Erosion” from BOTTOM FEEDERS: by Arielle Hebert.
Published by Black Lawrence Press on June 16, 2026.
Copyright © 2026 by Arielle Hebert.
All rights reserved.
Reproduced by Poetry Daily with permission.
Arielle Hebert is a queer poet based in North Carolina with roots in Florida and Louisiana. She is the author of Bottom Feeders (Black Lawrence Press). Her poems have been nominated for the Pushcart Prize and Best of the Net, and have appeared in The Slowdown, Poem-a-Day, Best New Poets, and others. She is the 2025-2026 fellow at Hellbender Gathering of Poets, an annual writing conference celebrating poetry, environmental science, and community. She is the Director of Operations and Marketing at Blair, a nonprofit publisher focused on emerging and diverse writers. Arielle believes in ghosts and magic. www.ariellehebert.com
"This is a voice not often heard in poetry, life on the edge for two teenage girls, lost, stumbling, kissing, and sweating under the fierce sun of a Florida summer, one buying and selling, getting high on painkillers, the other trying to survive, to get out. The poems flow like water from one mouth to another, booze, addiction, obsession, love. These are the bottom feeders 'looking for the poetry, / the music of things, in the graveyard.'"
— Dorianne Laux, author of Life on Earth
"Welcome to Arielle Hebert’s Bottom Feeders. Welcome to Sarasota and the surrounding cities. Hebert takes us along through an 'eternal summer' of many desires: to be loved and to protect the ones they love from themselves, from addiction. We join the speaker in joy and heartache, witness these desires, and thus we are closer to realizing our potential for love. These wonderful poems are adventures in staying alive, feeling good in one’s body, house parties, and empty mansions. These poems are wet with tropical grit, and at their core, they are saying this is how we make life happen."
— Tyree Daye, author of a little bump in the earth
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