Ode on the Wildest Word

Barbara Hamby

No, sir, I am not your baby, not your twenty-dollar                shot of tequila, not your excise tax on petroleumjelly, your high-risk dirigible in the bomb-alicious                sky filled with lies, the radio highs that lastthree minutes tops, the shuck and jive of yes ma’am,                doublethink spam, drink-the-Kool-AidMarxist sham, the wham up-against-the-wall                cattle call of the true believers, left and right,the slight lisp on the edge of doom. O no, Daddy-o,                I cannot swim out to your island of swoon,or the two-bit room in the Alligator Motel, that hell,                with its sharp teeth and open jaws, the seesawback and forth between high noon and doom,                that tune. No, baby, I’m sitting here all alone,grown woman, looking back on all the tricks, the love                sick delirium that blasts off to the moonand then dissolves into a rule book and curdled milk,               the silk cave of raven wings, the slinkyrinky-dink dance with death, the breathless sigh. O my,                I’m saying no to the bye-bye lullaby,half-hearted whisky-and-rye apocalypse afternoon,               the harpoon-in-my-gut regret that says yesto everything, sings soprano in the church choir, mucks                in the mire outside the front door, the storm guttermutter of cant, the torn dress and sweaty hankering                to do good, so here I am in a rococo imbroglioof Hamlet and moonshine, the backwoods banter                that begets shame, the no-name oblivionof staying on the bus as it travels through the war zone                and lets off at what was once home.

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Poet Image of Barbara Hamby

Barbara Hamby has published eight books of poems, most recently Burn (2025), Holoholo (2021), and Bird Odyssey (2018) all with the University of Pittsburgh Press. Her poems have appeared in The New Yorker, The Yale Review, American Poetry Review, Ploughshares, and many other magazines. She also writes fiction. Four Way Books is publishing her novel, In the Mamba Room, in March 2027. She teaches at Florida State University and is married to poet David Kirby.

"Hamby’s odes are full of joie de vivre irreverence, finger-in-your-eye insouciance, and linguistic dexterity."
— Compulsive Reader

"Barbara Hamby’s big, bawdy odes burn with the hard-won wisdom and delirious energy of a 'grown woman' who has lived to tell the tale. Hamby references Whitman for good reason. The wide lines of a panicked chatterbox insist on taking up space; the drive of embodied vigor from the heart, 'with all its swelling / crescendos and arias of accordion classics,' and the brain, full of 'Hamlet and refrigerator / warranties,' threatens to rupture the very edges of the page. I love the Penelope-like weaving and unweaving of so-called high and low culture. From Horace and Rimbaud to Athena, with her 'howitzer tits and a brain the size of Olympus,' Apollo and Caravaggio occupying the same poem as 'Easter bunnies in hula skirts,' and Persephone showing up in the bowling alley of the speaker’s soul. There is grief here, of course. Family grief, and grief for the land, all enwrapped in the orange cape of political grief, but never low-octane grief, even as we search the TV for 'a new / show, starring our beautiful hideous selves', even as we must admit the party’s over. Still, in Barbara Hamby’s hands, language and the ode are 'amok and running.'"
— Diane Seuss, author of frank: sonnets and Modern Poetry

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