“Thirty more years of mobility with you” is what my partner said she wants a statement about how to sustain common pleasure like “having a Coke with you” for middle- aged queers with chronic pain compiled griefs the thing is pleasure is harder to come by as I was doing my lunges she stood before me with a scored mango each time I lungedforward my knee brushed her crotch and she shoved a piece into my mouth. We rescued three more plants from the hardware store I overheard her telling her family that I am their mom now I give them all of the attention I used to give to my dogs before the collective sadness of their lives waiting for me to come home from work and then their deaths became too much. The newest heart-leaf shifts position everyday like a sundial or a spirit board today it’s spooning another leaf it has been raining for daysand is predicted for nine more with more wildfire smoke coming down from Canada the next two days I saw a black and white catwalk through our backyard and thought it was a cow as I would see grazing on a faraway hill from the admin building window during a meeting today I heard cows mooing and kept craning my neck to see them some interactions with humans in a workplace can be bad but always provideuseful information what a dangerous position it is when we can’t say what we know and see I have to carry the hermitage inside of me until I can return to it I have to carry the cow. Midweek I worried about life endingin sorrow due to the growing impossibility of the workplace for an old poet the growing problem of outgrowing a style for the hundredth time but suddenly reinvention is elusive I took a sick day and wore a Turkish towel and flip-flops watched birds peck down the suet put salve and a heating pad on my neck I checked on the postponed publication date of Lynn Lonidier’s selected poems she said she wanted to be a happy Hart Crane declared herself a Gertrude Stein without moneyat the age of 56 she jumped off a cliff and was found dead on a beach in San Francisco. I read it was after being laid off these anecdotal shreds about the job lives of poets fill mewith elaborate yearnings to know more “If and if I ever was published and never was again I’d dwell in a corny posthumous belief in a fine old house for turning out fictions.”What my history shows is that I’m a company guy but one who complains I want the company to be more worthy of my devotion but the company doesn’t have human attributes what I tolerate is between me and my idea of the gods today I am in my underwear and flip-flops waiting for a new style my apparent comfort is deceptive imagine boxing gloves punching back memories of suburban youth and everything that was done in support of me becoming like everyone around me how out of the blue that fantasy creeps up and overlays itself on aging queer life.
Essay 4
Feature Date
Series
Selected By
Share This Poem
Print This Poem
“Essay 4” from ESSAY: by Stacy Szymaszek.
Published by Krupskaya Books on August 31, 2025.
Copyright © 2025 by Stacy Szymaszek.
All rights reserved.
Reproduced by Poetry Daily with permission.
Szymaszek is the author of eight books of poetry, most recently, Essay (Krupskaya Books, 2025). Two books are forthcoming in 2026: Starving is the Energy (Antiphony) and About the House (Rescue). Szymaszek is the Development Director for a non-profit farm where they are also a volunteer cow groomer. She runs a small roving bookshop called Bos Books that focuses on literature about animals, biodiversity, agriculture, and art. Szymaszek is in a Masters program in Anthrozoology where she studies the human-nonhuman animal relationship with a focus on farmed animal welfare.
"Cow time meets clerical time meets poet time in Stacy Szymaszek’s gently thrilling Essay. These luminous poem-essays flow with the churning propulsion of dailiness: a roving record of the poet’s ruminations alongside the many cows and calves she befriends. Seeking to honor life beyond usefulness, Szymaszek has given us a large-hearted, gorgeous, and wholly riveting meditation on aging queer life and interspecies friendship on the farm and under capitalism. In Essay, the poet notices, marvels, aches, searches, and wants more for all of us."
—Megan Milks
"Stacy Szymaszek has long been a poet attentive to work, and this attention is of course animated by place – whether the urban quotidian and attendant human dramas of previous books, or her present workplace on a dairy farm in upstate New York. In Essay’s conversational, immediate, vulnerable, affecting and affected poems, Szymaszek turns to cows and to the cow-like exhaustion of humans who labor in service of capital’s voracity. Essay is bent to the workday but not beaten down by it. We are offered a visionary form, boldly attendant to the present, to prolong survival without denying death. 'The heart of the matter is to be able to keep / loving in the face of cow-sorrow unspeakable brevity / unpredictability and contradictions.' In Essay, Szymaszek has built a bed of hay where we can break from our labors and daydream about the 'livelihood where we can all work / a single day and have enough for the year and the work / of the cows can be ended.'"
—Alli Warren
Poetry Daily Depends on You
With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.
