Fission

Feranmi Ariyo

Death is not a design, not an idea. Death is the body, I know this now, it’s your arms…It is the whole of us, only we walk around enough to think it isn’t.—Matthew Dickman

IWhen my aunt falls sick, her prodigal arms sketch strange sermonsin the air: her frictioning joints lisp broken psalms intoour ears, into this poem. And everything about Huntington’s says something,says the body is threatened by chaos, errant pathways of neuronsfiring repeatedly, her fingertips play pizzicati on invisible stings.IIAnd one night, after the rain, my father bends at the door for minuteswith drenched cloths fastened to his flesh.He pants out the words: I’m sorry, despite all the medicine, they spread.He holds up a scan and it becomes a photograph of dark clouds.You could almost hear the scrabbling of exile and of small stars in his body—which are actually tumors burning, getting comfortable with being lostas if banishment were immutable to their existence.IIIHere’s the thing: fission does not begin when a father holds a scanspeckled with the gleam of small explosions. It’s a delicate process—the body expiring, the intricate design of it: cells chugging on their suicide vesicleswithout argument, blood vessels giving up their elasticities,or telomeres untwining in perfect obedience to the secret Latin of rot.Entropy is simple and complex, just as jagged street rocks. We are ductilethings chiselled by the same wild winds that drive the vanes of clocks.Fission does not end when a son hides the ashes of his fatherin churning water or gives his body whole to worms.Death is not an emergency but the body limping againstits own walls as it realizes freedom.

Author’s Note

“death is not an emergency” comes from Carrie Shipers’s poem of the same title.

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Feranmi Ariyo is a Nigerian poet and essayist. He was selected as a fellow of the Unserious Collective Fellowship in 2022. He is the author of  I Watch You Disappear, published by Akashic books and the African Poetry Book Fund.

Feranmi Ariyo’s ’I Watch You Disappear’ is a summation of grief communicated through a collection of poems haunted by hospital wards, childhood confusion and the unbearable clarity of watching a loved one vanish in slow motion. ⁠

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