My tongue is slackwith sky-weight,to slow to movepoem-beams.It’s hard now,from mind’s haven,to drag the swagOdin swindled.*My family standsat its end, stopsstorm-thrashedon a forest’s fringe.No man is hale whohefts his kinsman’s jointsoff his ground-sprawl,carries his corpse.*First, still,father-deathI must speak ofand mother-loss.Lug praise-lumberout of word-templethen leaf itwith language.Brutal was that breachbroken openby the wave in myfather’s kind-wall.My son’s cleft goes ongaping, deserted.I see it—what the sea spawned.*If I sewed up thatcrime with my sword,wasted I’d leave thewave-smith forever.I’d brawl withthe wind’s brother.I’d scuffle withthe sea-god’s girl.*The sea has robbedme richly.It stings to speakof my kinsmen’s death,since the shieldof my family slippedaway from life,left the mind’s paths.In my son swelledthe promise ofa mighty thane.I know this in myself.If only the shield-treehad shot up to bea war-Odin,to take up weapons.
from “Cruel Loss of Sons”
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from “Cruel Loss of Sons” by Egill Skallagrímsson, and translated by Emily Osborne,
as featured in The Paris Review Issue No. 233, Winter 2024.
Copyright © 2020 by The Paris Review, used by permission of The Wylie Agency LLC.
Emily Osborne holds a PhD in Old Norse-Icelandic Literature from the University of Cambridge. Her poetry, fiction, and translations have appeared in journals such as The Paris Review, The Adroit Journal, and The Fiddlehead. She is the author of Safety Razor (Gordon Hill Press, 2023) and the forthcoming anthology of Norse translations, The Skalds (W.W. Norton/Liveright 2027). Emily lives on Bowen Island, Canada. Connect with her on Twitter (@emilyasbjorn) and Instagram (@osborneverse)
Winter 2024
New York, New York
Editor
Emily Stokes
Managing Editor
Kelly Deane McKinney
Poetry Editor
Srikanth Reddy
Since its founding 1953, The Paris Review has been America’s preeminent literary quarterly, dedicated to discovering the best new voices in fiction, nonfiction, and poetry. The Review’s renowned Writers at Work series of interviews is one of the great landmarks of world literature. Hailed by the New York Times as “the most remarkable interviewing project we possess,” the series received a George Polk Award and has been nominated for a Pulitzer Prize. With the December 2016 redesign of the Review’s website, the complete digital archive of everything we’ve published since 1953 is available to subscribers. In November 2017, the Review gave voice to nearly sixty-five years of writing and interviews with the launch of its first-ever podcast, featuring a blend of classic stories and poems, vintage interview recordings, and new work and original readings by the best writers of our time.
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