I was twenty-two and nervous, readingabout the two men on whom I’d hoistedthe balance beam of my thesis on poetry.They reminisced about the day they surroundeda young girl walking home from school untilshe pleaded with them, Go away please go awayplease please. Later, one of them wrote a poemin which girls walk home from school, touchingtheir avid mouths with pink sugar on a stick.That morning, stranger, you and I met for the firstand only time, and something about my ringletsand pink sundress, my cuticles bitten to the quick,urged you to pucker at me, to spit a wet massonto my bare legs as I walked to the library.That morning, my mother was dying in another country,treading water with her insurance. I can’t say for surewhat she did that day, of course—I lived an oceanbeyond her, next to you and your smirk, next tothe bridges trembling lacework shadows overthe stained river—but I imagine her working alone(she usually worked, was usually alone), and asyour spit slid along my ankle and into my shoe, perhapsshe was dreaming up cures ex machina, each one a brightarrow bearing her name back to her. What I do know—she saved every message I left on her phone, she was so certainsomeone somewhere wished me harm. She never knewI did the same, her voice nestled in the Nokia gleamingknowingly in my palm. Before she died, she confessed,half-ashamed, how she promised the spiders fatteningalong her walls that she’d let them live as long as she lived.After she died, spider silk poured from every cornerof her house. After she died, I swept them all down.
Memo to the Man Who Spat on Me
Feature Date
- March 8, 2025
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Copyright © 2024 by Cara Dees.
All rights reserved.
Reproduced by Poetry Daily with permission.

Cara Dees is the author of Exorcism Lessons in the Heartland, winner of the Barrow Street Book Prize. She holds a PhD from the University of Cincinnati and an MFA from Vanderbilt University. Her work appears or is forthcoming in publications such as The Atlantic, Best New Poets, The Georgia Review, Harvard Review, The Hudson Review, and Ploughshares.

Summer 2024
Atlanta, Georgia
University of Georgia
Editor
Gerald Maa
Managing Editor
C. J. Bartunek
The Georgia Review is the literary-cultural journal published out of the University of Georgia since 1947. While it began with a regional commitment, its scope has grown to include readers and writers throughout the U.S. and the world, who are brought together through the print journal as well as live programming. Convinced that communities thrive when built on dialogue that honors the difference between any two interlocutors, we publish imaginative work that challenges us to reconsider any line, distinction, or thought in danger of becoming too rigid or neat, so that our readers can continue the conversations in their own lives.
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