How no shoe fit them,and how she used to prop them,having dressed for bed,letting the fire in the coal-stove blueand blink out, falling asleep in her chair.How she bathed them and dried them, night after night,and rubbed their soreness like an intimacy.How she let the fire pull her soft body through them.She was the girl who grew just standing,the one the picture cut at the knees.She was the girl who seemed to be dancingout on the lawn, after supper, alone.I have watched her climb the militant stairsand down again, watched the ground go out from under her.I have seen her on the edge of chances—she fell, when she fell like a girl.Someone who loved her said she walked on water.Where there is no path nor wake. As a childI would rise in the half-dark of the house,from a bad dream or a noisy window,something, almost, like snow in the air,and wander until I could find those feet, proppedand warm as a bricklayer’s hands,every step of the way shining out of them.
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“My Mother’s Feet” from COLLECTED POEMS OF STANLEY PLUMLY by Stanley Plumly
Published by W.W. Norton & Company on August 12, 2025
Copyright © 2025 by Margaret Forian-Rhinehart
All rights reserved.
Reproduced by Poetry Daily with permission.
New York, New York
The definitive collection of one of the most celebrated poets of his generation and a master of the lyric poem in its richest, most flexible registers.
Stanley Plumly is one of the most emotionally complex, sustaining, and influential American poets of the last fifty years. Born in 1939, Plumly wrote poems that explored the deep interiors of the human heart and mind against a wide backdrop of cultural and historical events. Profoundly personal yet socially astute, his work is both descriptively exact and allusive, engaging nature and art as well as family and friendship.
As Plumly wished, Collected Poems does not categorize the poems by individual volume but presents a continuum of his lyric accomplishments. This book bears his gifts and his specific blessing, embodying his wish to offer his poems in reverse chronology, tracing back from the present to the very origins of his aesthetic. In every way, it is the book Stanley Plumly wanted to be remembered by.
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