got to pullout from predatory capitalism got to participate in all emancipation
I have to prepare to live tight to court danger
prepare to live on air I have to stop buying stop watching
have to learn to turn hate into light and uncover I think
must keep calling Gloria who makes me have hope dance to disco from the oil crisis
have to resist bottled liquids the colors of finger paint resist the luxurious have to never
capitulate become a shell I’m separated from my nation
have to search for my truth the kids ohmygod the kids
teach them to turn off the damn lights to compost shoot a gun make agitational film
to resist the lure to charge it they will have to be tougher
so I have to mine for toughness for me for the children
for all their middle age to accept that it is fascism
that it was long coming a long con tears are blood act accordingly
have to remember the singular ubiquitous enemy have to forgive
my horizontal rival remember urgency not some ideal past that never existed
I do remember the precarity have to live against the wall
into the future into the disturbance have to return to a more lucid diction
a marrow of language I’ll read novels about the past
I have to refuse to be what they are to be what they’ll do
will avenge will disturb will revise will filter
don’t want to still have to
New Moon
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Copyright © 2017 by Carmen Giménez Smith
All rights reserved.
Reproduced by Poetry Daily with permission
Carmen Giménez Smith is the author of a memoir and six poetry collections, including Milk and Filth, a finalist for the 2013 National Book Critics Circle Award in poetry. She was awarded an American Book Award for her memoir Bring Down the Little Birds and the Juniper Prize for Poetry for her collection Goodbye, Flicker. She also co-edited Angels of the Americlypse: New Latin@ Writing, an anthology of contemporary Latinx writing. She now serves on the planning committee for CantoMundo and as the publisher of Noemi Press. Her next collection of poems, Cruel Futures, will be a volume in the City Lights Spotlight Series in April, 2018. Smith is professor of English at Virginia Tech and, with Steph Burt, poetry editor of The Nation.
Fall 2017
Evansville, Indiana
University of Southern Indiana
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The Southern Indiana Review presents a cross-section of emerging and established artists and writers whose work is both regional and national in scope and degree of recognition. With the support of the Indiana Arts Commission and National Endowment for the Arts, SIR is published in October and May by the University of Southern Indiana and sponsored by the College of Liberal Arts.
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