Palila: Birdsong Structure

Arah Ko

Imitating recorded audio of critically endangered Hawai‘ian Palila birdsong, this structure uses arrows for short notes or single syllables and slashes for longer parts of the birdcall or multi-syllable words. Using this structure adapted from nature, the poem speaks with the birds’ own “voice.”

 
                 ^^^/ /
                 ^^^/ /
                 ^^^/
                 ^^^

 
                 ^^\
                            \
                 ^^^\

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Arah Ko is a writer from Hawai’i with work published in over 60 journals. She is the author of Brine Orchid (YesYes Books 2025), which won the 2025 Julie Suk Award and the 2026 Ohio Book Award for poetry, and the chapbook Animal Logic (Bull City Press 2026). Arah received her M.F.A. in creative writing at the Ohio State University in Columbus in 2023 where she served as Art, Wheeler Prize, and Associate Poetry Editor for The Journal. She is currently a Ph.D. student at the University of Cincinnati and serves as an editorial assistant for The Cincinnati Review and a reader for Split Lip Magazine.

"Arah Ko’s restless forms dazzle with inventiveness and unrelenting ferocity. ‘There is an animal inside each / of us, or there should be,’ she writes, redefining the distinctions between human and animal life forms, as well as the language by which we understand our own embodiment—the body’s flesh and stink; its animal hungers, rot and remains. Probing the wilds of human cruelty and family history, Ko confronts the leavings of her own past, saying, ‘it will take time to chew // through what’s left of me.’ An exaltation, a shiver, a murder, a bloom—this collection of poems enacts every one of these terms, and so much more.”
—Mia Ayumi Malhotra, author of Mothersalt

“Imagine a littoral zone made up entirely of language—a place where words slip, and echo, and morph. That is the habitat for the poems in Animal Logic. Form-mimicking, shell-shucking, and scream-weaving, Ko’s pieces invite us to witness evolutions. Here, survival is born from the twist of a tongue, from the shift of a line, from a choice between fins, or fangs, or wings. Like the smiling axolotl, regenerating, each poem sings with the voices of lives lived in between.”
—Mag Gabbert, author of SEX DEPRESSION ANIMALS

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