the city that loves the bomb

mónica teresa ortiz

I.                                         I was in high school when Oklahoma City was bombed                            a year later I crawled undera security fence to touch      the seventy-five-year-old elm                                                                           that survived the 4000-pound blastI wonder if shrapnel glittered                             on the branches  II.      atoms                          stretch apart                          in Amarillo      I sink into the plains that I so love               write poems on red clay                                     read about          Chernobyl      these are not hypothetical concerns                       we craft memorials to forgetstitch flags to uniteviolence      the city adopts                                                                          Bomb Cityas a nickname     radiation rainbow billboards advertising tattoo parlors distilleries             explosions fallout cancerwhat is it like     to unmake a bomb

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mónica teresa ortiz is a poet and critic born, raised, and based in Texas. Their poems have appeared in ANMLY, Scalawag, the Brooklyn Rail, Split This Rock!, and Poem-a-Day from the Academy of American Poets. mónica has published several chapbooks, including Autobiography of a Semi-Romantic Anarchist (Host Publications, 2019), Have You Ever Dreamed of Flamingos? (Garden Party Collective, 2023), and Muted Blood (Black Radish, 2018), and a full-length collection, Book of Provocations (Host Publications, 2024). They write nonfiction reviews for the Book Page and published their first desk-reviewed book review, Prehistories of the War on Terror: A Critical Genealogy, for Allegra Lab. mónica calls us to commit to the liberation of Palestine and all oppressed people. 

Inaugural Winner of the Joe W. Bratcher Prize
 
mónica teresa ortiz posits that the most important role of the poet is that of “provocateur, to prod the audience, to interpret a visible and invisible world, to unveil secrets through the communication of language, sound, and meaning.” Tender and radical, these poems offer an unflinching look into the present, which they see with a brutal clarity.

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