I. I was in high school when Oklahoma City was bombed a year later I crawled undera security fence to touch the seventy-five-year-old elm that survived the 4000-pound blastI wonder if shrapnel glittered on the branches II. atoms stretch apart in Amarillo I sink into the plains that I so love write poems on red clay read about Chernobyl these are not hypothetical concerns we craft memorials to forgetstitch flags to uniteviolence the city adopts Bomb Cityas a nickname radiation rainbow billboards advertising tattoo parlors distilleries explosions fallout cancerwhat is it like to unmake a bomb
the city that loves the bomb
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“the city that loves the bomb” from Book of Provocations by mónica teresa ortiz.
Published by Host Publications on June 01, 2025.
Copyright © 2024 by mónica teresa ortiz.
All rights reserved.
Reproduced by Poetry Daily with permission.
mónica teresa ortiz is a poet and critic born, raised, and based in Texas. Their poems have appeared in ANMLY, Scalawag, the Brooklyn Rail, Split This Rock!, and Poem-a-Day from the Academy of American Poets. mónica has published several chapbooks, including Autobiography of a Semi-Romantic Anarchist (Host Publications, 2019), Have You Ever Dreamed of Flamingos? (Garden Party Collective, 2023), and Muted Blood (Black Radish, 2018), and a full-length collection, Book of Provocations (Host Publications, 2024). They write nonfiction reviews for the Book Page and published their first desk-reviewed book review, Prehistories of the War on Terror: A Critical Genealogy, for Allegra Lab. mónica calls us to commit to the liberation of Palestine and all oppressed people.
In fragmented lyric and explosive song, mónica teresa ortiz’s poems explore catastrophe, illustrating in verse the refusal of the human spirit to submit to systems of oppression, and its undying cry for liberation. Because these are love poems, too. Singing for their beloveds, for hope, for deliverance. Singing for the afterlife, which ortiz envisions as a queer futurity in which “Nothing matters more than halting the brutal mechanizations of colonialism."
With the Joe W. Bratcher Prize, Host Publications aims to amplify the kind of work that Joe was most passionate about—poetry that pushes the boundaries of form, art and culture, poetry that is urgent in its subject matter, poetry with a heart that beats for change.
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