The War Mule’s Account

Ishion Hutchinson

Now, my business is to cart the deadfrom both sides of the Scamander River.No easy task going through the bustle; spearheadswhizzing my ears – but me, Balthus, I deliver.My allegiance is to the shades, though I favourbraggadocious Aias (see, I was born behind the wallsnow burning), and I like that cadaver-maker,son of Thetis, the only man out there with balls.But I hate those snooty black horses in armour,plumed kingly, stamping fetlocks in the war horde –those belly-up bastards adored like a good rumourcircling the battlefield, half-happy, half-boredwith the attention showered on them, even by the dying:‘Bless, O gods, let winged Pegasus take me home,’cried one pathetic brute as his soul came flyingoff a bronze dagger that halved his helmet and dome.I hate especially those so-called immortals,dropping tears over cut-down Patroklos,tossing long manes, but never lifting a morselof his to the funeral pyre. Man, I cussunder the heft of Achaeans’ and Trojans’ weightI take to the heap; I cuss the carrion kitesand cuss the baying mongrels in wait;I cuss the long ten years of useless fight.Yet I harness on, unnoticeable through ranks,last witness of the city’s defeat by a wooden giant,watching long boats set off on the defiantAegean, with loot and women, for distantislands, not one ever saying ‘Thanks.’

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Headshot of Ishion Hutchinson

Ishion Hutchinson is the author of the poetry collections School of Instructions: a Poem, House of Lords and Commons and Far District. Born in Port Antonio, Jamaica, he is the W.E.B. Du Bois Professor in the Humanities at Cornell University.

Cover of Far District by Ishion Hutchinson

New York, New York

Far District, the transporting debut by the author of House of Lords and Commons, charts the spiritual path of a poet-speaker caught between two spheres: the culture of bush people and a luminous, dangerous sea of myth. Crafting an impressionistic portrait of his youth in Jamaica, Ishion Hutchinson explores the West Indian distrust of European literature and mythology. The speaker fears the land of myth because he is loyal to the bush people, but he also desires to transcend his physical and intellectual poverty. Little by little, the two cultures come together as the speaker begins grafting childhood memories onto the realm of imagination, shaped by art, music, literature, and new glimpses of the world.

Written in both traditional and formless verse, as well as in English and Jamaican patois, Far District is an indelible, urgent collection. As the PEN/Joyce Osterweil Award committee said of its 2011 winner, “Far District is a classic, which is to say a rare and exemplary first book.”

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