Invitatory

Molly Spencer

Dawn again and the birds of oblivion sing
of all hungers

Each day I wake
to a pillar of light kindling the room
into being once more

A crease in the rug, someone’s future stumble

The pale melt of bedclothes at my thighs

Mine is not the face of peace but of the found-out

The lamp’s diminutive thorn
of light sharpens at my bedside—
a whole world waiting

Again
for my yes

What Keeps Us

Poems to Read in Community

Inspired by C. D. Wright’s poem “What Keeps,” we offer Molly Spencer’s “Invitatory” as part of a twenty-poem selection from poems we’ve featured in 2024—poems, like bread, that one might pass across the table—to a loved one, or to oneself. 

Read editor Lloyd Wallace’s introduction to the collection and statements from our staff readers hereRead poems by selecting below.

What Keeps

Some nights We stay up
passing it back and
forth
between us
drinking deep

Read >

This Era

Forests and cities

along the way sleep like huge dark churches.

Read >

Talisman

each of us bearing the art
in a curve of wing, a small motif
of feather,

Read >

Rewind

Have you ever seen something that buzzes inside you?
I am watching two kids encounter each other

Read >

Rationale

Because she still won’t sleep alone, you sleep deeply
with her small warm body wrapped in your arms.

Read >

Pupusas

no, the pupusa is a portrait
            of this life, crusting & breaking
                        with every lick & tooth

Read >

Psalm III

in what language should I speak to you, sun
so you’ll rise tomorrow for my child, so you’ll
rise and stimulate the growth of our food,

Read >

Night Song

You’ll never know
what became of me
in the dark, how
my body opened,

Read >

Handfuls

Summer is a pure lone mountain.
Somehow, a winter flowers against an enormous blue loneliness

Read >

Eurydice

It snowed the day I died, a freak spring storm.
(It was in the papers.)

Read >

December

Instead of snow, a dark pouring rain
to dodge as passersby reject us.  No spruces, but sycamores with their white cankers.

Read >

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Photo of Molly Spencer

Molly Spencer is the author of three prize-winning poetry collections: If the House (University of Wisconsin Press, 2019), Hinge​ (SIU Press, 2020), and Invitatory (Parlor Press, 2024). Her poetry has appeared in Blackbird, FIELD, New England Review, Ploughshares, and Prairie Schooner. Her critical writing has appeared at Colorado Review, The Georgia Review, Kenyon Review, The Writer’s Chronicle,and The Rumpus, where she is a senior poetry editor. She teaches at the University of Michigan. ​

Cover of Invitatory by Molly Spencer

Anderson, South Carolina

"In this luminous collection, Molly Spencer sets her infrared sight on the interstice between 'shelter and glare,' that indeterminate spot where elements recombine and the world appears strangely remade – or, even more mysteriously, 'found out.' Thresholds are frightening places, but Spencer trusts that destabilized ground is exactly where all encounters with 'genuine rescue' occur. Undaunted by the ever-slippery nature of language, Spencer tracks words like a bird dog, or guide to the underworld, crafting, in poem after gorgeous poem, the most intimate forms of invitation, that we, too might recognize likeness between self and other, and hold our deepest yearnings with compassion."
—Lia Purpura

“'Wasn’t rowing at all, only dipping the blade of my one oar / here, then there, to steer a little,' yet or is the oar which sets Molly Spencer’s poems pleasingly amok in this masterful collection, Invitatory. Or rather, it’s inside the boundaries of the either-or, where Spencer explores breakage (and ruin) as the presage and/or the aftermath of intimacy, of language, of touch, of longing, and (yes) of loss. There is an intriguing muscularity happening here, a kind of muscle memory in which each poem, grafted tendon-like each to each, remembers, foresees, and challenges what happens in the other poems. Rather I should say, more body than just a collection of poems, Invitatory isn’t afraid to show its math. Images—well-wrought, evocative, and cinematic the first time—are reconsidered again and again, yet somehow appear sharper, more vivid, more surprising with each iteration. Spencer has created a living thing that is sure to outlive all of us lucky enough to hold it for a while."
—Tommye Blount

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